There are 86 total results for your concept search.
| Characters | Pronunciation Romanization |
Simple Dictionary Definition |
無我 无我 see styles |
wú wǒ wu2 wo3 wu wo muga むが |
More info & calligraphy: Selflessness(1) selflessness; self-effacement; self-renunciation; (2) {Buddh} anatta; anatman; doctrine that states that humans do not possess souls; (female given name) Muga anātman; nairātmya; no ego, no soul (of an independent and self-contained character), impersonal, no individual independent existence (of conscious or unconscious beings, anātmaka). The empirical ego is merely an aggregation of various elements, and with their disintegration it ceases to exist; therefore it has nm ultimate reality of its own, but the Nirvāṇa Sūtra asserts the reality of the ego in the transcendental realm. The non-Buddhist definition of ego is that it has permanent individuality 常一之體 and is independent or sovereign 有主宰之用. When applied to men it is 人我, when to things it is 法我. Cf. 常 11. |
理念 see styles |
lǐ niàn li3 nian4 li nien rinen りねん |
More info & calligraphy: Idea / Concept(Platonic) ideal (of how things ought to be, e.g. human rights); foundational principle; idea; conception (e.g. of the university); doctrine; ideology |
概念 see styles |
gài niàn gai4 nian4 kai nien gainen がいねん |
concept; idea; CL:個|个[ge4] general idea; concept; notion |
構想 构想 see styles |
gòu xiǎng gou4 xiang3 kou hsiang kousou / koso こうそう |
to conceive; concept (noun, transitive verb) plan; plot; idea; conception; vision; scheme |
上位概念 see styles |
shàng wèi gài niàn shang4 wei4 gai4 nian4 shang wei kai nien jouigainen / joigainen じょういがいねん |
superordinate concept high level concept; superordinate concept; broader term |
基本概念 see styles |
jī běn gài niàn ji1 ben3 gai4 nian4 chi pen kai nien kihongainen きほんがいねん |
basic concept basic concept; fundamental concept |
三身 see styles |
sān shēn san1 shen1 san shen sanjin; sanshin さんじん; さんしん |
{Buddh} trikaya (three bodies of the Buddha); (surname) Sanmi trikāya. 三寶身 The threefold body or nature of a Buddha, i.e. the 法, 報, and 化身, or dharmakāya, sambhogakāya, and nirmāṇakāya. The three are defined as 自性, 受用, and 變化, the Buddha-body per se, or in its essential nature; his body of bliss, which he "receives" for his own "use" and enjoyment; and his body of transformation, by which he can appear in any form; i.e. spiritual, or essential; glorified; revealed. While the doctrine of the trikāya is a Mahāyāna concept, it partly results from the Hīnayāna idealization of the earthly Buddha with his thirty-two signs, eighty physical marks, clairvoyance, clairaudience, holiness, purity, wisdom, pity, etc. Mahāyāna, however, proceeded to conceive of Buddha as the Universal, the All, with infinity of forms, yet above all our concepts of unity or diversity. To every Buddha Mahāyāna attributed a three-fold body: that of essential Buddha; that of joy or enjoyment of the fruits of his past saving labours; that of power to transform himself at will to any shape for omnipresent salvation of those who need him. The trinity finds different methods of expression, e.g. Vairocana is entitled 法身, the embodiment of the Law, shining everywhere, enlightening all; Locana is 報身; c.f. 三賓, the embodiment of purity and bliss; Śākyamuni is 化身 or Buddha revealed. In the esoteric sect they are 法 Vairocana, 報 Amitābha, and 化 Śākyamuni. The 三賓 are also 法 dharma, 報 saṅgha, 化 buddha. Nevertheless, the three are considered as a trinity, the three being essentially one, each in the other. (1) 法身 Dharmakāya in its earliest conception was that of the body of the dharma, or truth, as preached by Śākyamuni; later it became his mind or soul in contrast with his material body. In Mādhyamika, the dharmakāya was the only reality, i.e. the void, or the immateria1, the ground of all phenomena; in other words, the 眞如 the tathāgatagarbha, the bhūtatathatā. According to the Huayan (Kegon) School it is the 理or noumenon, while the other two are氣or phenomenal aspects. "For the Vijñānavāda... the body of the law as highest reality is the void intelligence, whose infection (saṃkleҫa) results in the process of birth and death, whilst its purification brings about Nirvāṇa, or its restoration to its primitive transparence" (Keith). The "body of the law is the true reality of everything". Nevertheless, in Mahāyāna every Buddha has his own 法身; e.g. in the dharmakāya aspect we have the designation Amitābha, who in his saṃbhogakāya aspect is styled Amitāyus. (2) 報身Sambhogakāya, a Buddha's reward body, or body of enjoyment of the merits he attained as a bodhisattva; in other words, a Buddha in glory in his heaven. This is the form of Buddha as an object of worship. It is defined in two aspects, (a) 自受用身 for his own bliss, and (b) 他受用身 for the sake of others, revealing himself in his glory to bodhisattvas, enlightening and inspiring them. By wisdom a Buddha's dharmakāya is attained, by bodhisattva-merits his saṃbhogakāya. Not only has every Buddha all the three bodies or aspects, but as all men are of the same essence, or nature, as Buddhas, they are therefore potential Buddhas and are in and of the trikāya. Moreover, trikāya is not divided, for a Buddha in his 化身 is still one with his 法身 and 報身, all three bodies being co-existent. (3) 化身; 應身; 應化身 nirmāṇakāya, a Buddha's transformation, or miraculous body, in which he appears at will and in any form outside his heaven, e.g. as Śākyamuni among men. |
主線 主线 see styles |
zhǔ xiàn zhu3 xian4 chu hsien |
main line (of communication); main thread (of a plotline or concept); central theme |
內核 内核 see styles |
nèi hé nei4 he2 nei ho |
core (of a fruit); (fig.) the essence (of a concept or doctrine etc); (geology) inner core; (computing) kernel |
大同 see styles |
dà tóng da4 tong2 ta t`ung ta tung daidou / daido だいどう |
(Confucianism) Great Harmony (concept of an ideal society) (1) (See 大同小異) general resemblance; being largely the same; (2) (See 大同団結) uniting with a common goal; (3) (hist) Daidō era (806.5.18-810.9.19); (place-name) Datong (China) mostly the same |
妄法 see styles |
wàng fǎ wang4 fa3 wang fa mōbō |
bhrānti, going astray, error. |
常想 see styles |
cháng xiǎng chang2 xiang3 ch`ang hsiang chang hsiang jōsō |
concept of permanence |
意境 see styles |
yì jìng yi4 jing4 i ching |
artistic mood or conception; creative concept |
意法 see styles |
yì fǎ yi4 fa3 i fa i hō |
thinking consciousness and concept |
我執 我执 see styles |
wǒ zhí wo3 zhi2 wo chih gashuu / gashu がしゅう |
egotism; obstinacy ātma-grāha; holding to the concept of the ego; also 人執. |
我相 see styles |
wǒ xiàng wo3 xiang4 wo hsiang gasō |
Egoism, the concept of the ego as real. Anyone who believes in我相, 人我, 衆生我, 壽我 is not a true Bodhisattva, v. 我人四相. |
我空 see styles |
wǒ kōng wo3 kong1 wo k`ung wo kung gakū |
生空 (衆生空); 人空 Illusion of the concept of the reality of the ego, man being composed of elements and disintegrated when these are dissolved. |
投企 see styles |
touki / toki とうき |
(ant: 被投性) projection; project; philosophical concept introduced by Heidegger (Entwurf) |
時間 时间 see styles |
shí jiān shi2 jian1 shih chien jikan じかん |
(concept of) time; (duration of) time; (point in) time (1) time; (2) hour; (3) period; class; lesson; (surname) Tokima time |
有要 see styles |
yuuyou / yuyo ゆうよう |
matter (thing, concept) of high (vital, extreme) importance |
極微 极微 see styles |
jí wēi ji2 wei1 chi wei kyokubi; gokubi きょくび; ごくび |
(adj-na,adj-no,n) microscopic; infinitesimal An atom, especially as a mental concept, in contrast with 色聚之微, i.e. a material atom which has a center and the six directions, an actual but imperceptible atom; seven atoms make a 微塵 molecule, the smallest perceptible aggregation, called an aṇu 阿莬 or 阿拏; the perceptibility is ascribed to the deva-eye rather than to the human eye. There is much disputation as to whether the ultimate atom has real existence or not, whether it is eternal and immutable and so on. |
槪念 see styles |
gài niàn gai4 nian4 kai nien gainen |
concept |
法性 see styles |
fǎ xìng fa3 xing4 fa hsing hosshou; houshou / hossho; hosho ほっしょう; ほうしょう |
{Buddh} (See 法相・ほっそう・1) dharmata (dharma nature, the true nature of all manifest phenomena); (personal name) Hosshou dharmatā. Dharma-nature, the nature underlying all thing, the bhūtatathatā, a Mahāyāna philosophical concept unknown in Hīnayāna, v. 眞如 and its various definitions in the 法相, 三論 (or法性), 華嚴, and 天台 Schools. It is discussed both in its absolute and relative senses, or static and dynamic. In the Mahāparinirvāṇa sūtra and various śāstras the term has numerous alternative forms, which may be taken as definitions, i. e. 法定 inherent dharma, or Buddha-nature; 法住 abiding dharma-nature; 法界 dharmakṣetra, realm of dharma; 法身 dharmakāya, embodiment of dharma; 實際 region of reality; 實相 reality; 空性 nature of the Void, i. e. immaterial nature; 佛性 Buddha-nature; 無相 appearance of nothingness, or immateriality; 眞如 bhūtatathatā; 如來藏 tathāgatagarbha; 平等性 universal nature; 離生性 immortal nature; 無我性 impersonal nature; 虛定界: realm of abstraction; 不虛妄性 nature of no illusion; 不變異性 immutable nature; 不思議界 realm beyond thought; 自性淸淨心 mind of absolute purity, or unsulliedness, etc. Of these the terms 眞如, 法性, and 實際 are most used by the Prajñāpāramitā sūtras. |
理觀 理观 see styles |
lǐ guān li3 guan1 li kuan rikan りかん |
{Buddh} (See 事観) contemplation of principle The concept of absolute truth; the concentration of the mind upon reality. |
眞空 see styles |
zhēn kōng zhen1 kong1 chen k`ung chen kung mahiro まひろ |
(female given name) Mahiro (1) The absolute void, complete vacuity, said to be the nirvana of the Hīnayāna. (2) The essence of the bhūtatathatā, as the 空眞如 of the 起信論, 唯識, and 華嚴. (3) The void or immaterial as reality, as essential or substantial, the 非 空 之 空 not-void void, the ultimate reality, the highest Mahāyāna concept of true voidness, or of ultimate reality. |
眞證 眞证 see styles |
zhēn zhèng zhen1 zheng4 chen cheng shinshō |
Real evidence, proof, or assurance, or realization of truth. The knowledge, concept, or idea which corresponds to reality. |
考え see styles |
kangae かんがえ |
(1) thinking; thought; view; opinion; concept; (2) idea; notion; imagination; (3) intention; plan; design; (4) consideration; judgement; deliberation; reflection; (5) wish; hope; expectation |
華夏 华夏 see styles |
huá xià hua2 xia4 hua hsia kaka かか |
old name for China; Cathay (1) (hist) Huaxia (historical concept of China); (2) (archaism) civilized land; (personal name) Hanaka |
著想 着想 see styles |
zhuó xiǎng zhuo2 xiang3 cho hsiang jakusō |
to give thought (to others); to consider (other people's needs); also pr. [zhao2 xiang3] The attachment of thought, or desire. |
観念 see styles |
kannen かんねん |
(1) idea; notion; concept; conception; (2) sense (e.g. of duty); (noun, transitive verb) (3) resignation (to one's fate); acceptance; preparedness; (4) {Buddh} observation and contemplation; meditation |
觀念 观念 see styles |
guān niàn guan1 nian4 kuan nien kannen |
notion; thought; concept; sense; views; ideology; general impressions To look into and think over, contemplate and ponder. |
計都 计都 see styles |
jì dū ji4 du1 chi tu keito / keto けいと |
concept from Vedic astronomy (Sanskrit Ketu), the opposite point to 羅睺|罗睺[luo2 hou2]; imaginary star presaging disaster Keito; mythological celestial body and-or evil spirit (asura) said to cause eclipses; (female given name) Keito 計部; 鷄都 or 兜 ketu, any bright appearance, comet, ensign, eminent, discernment, etc.; the name of two constellations to the left and right of Aquila. |
三無性 三无性 see styles |
sān wú xìng san1 wu2 xing4 san wu hsing san mushō |
The three things without a nature or separate existence of their own: (a) 相無性 form, appearance or seeming, is unreal, e.g. a rope appearing like a snake; (b) 生無性 life ditto, for it is like the rope, which is derived from constituent materials; (c) 勝義無性 the 勝義, concept of the 眞如 or bhūtatathatā, is unreal, e.g. the hemp of which the rope is made; the bhūtatathatā is perfect and eternal. Every representation of it is abstract and unreal. The three are also known as 相無性, 無自然性, 法無性; v. 唯識論 9. |
不思議 不思议 see styles |
bù sī yì bu4 si1 yi4 pu ssu i fushigi ふしぎ |
unbelievable; [a concept that] cannot be comprehended; unimaginable; unfathomable. (noun or adjectival noun) (1) wonderful; marvelous; strange; incredible; amazing; curious; miraculous; mysterious; (adverb taking the "to" particle) (2) strangely enough; oddly enough; for some reason; curiously; (female given name) Mirakuru Beyond thought and words or linguistic expression, beyond conception, baffling description, amazing, "supraconceptual", inconceivable, non-conceptual, something that cannot be conceptualized or compared to anything worldly. Analogous to Acintya (阿軫帝也). |
新概念 see styles |
shingainen しんがいねん |
new concept |
概念図 see styles |
gainenzu がいねんず |
conceptual diagram; schematic drawing; concept map |
現存在 see styles |
gensonzai げんそんざい |
Dasein; philosophical concept introduced by Heidegger |
衆生相 众生相 see styles |
zhòng shēng xiàng zhong4 sheng1 xiang4 chung sheng hsiang shujō sō |
衆生見 The concept that all beings have reality. |
被投性 see styles |
hitousei / hitose ひとうせい |
thrownness; philosophical concept (Geworfenheit in German) introduced by Heidegger |
阿彌陀 阿弥陀 see styles |
ā mí tuó a1 mi2 tuo2 a mi t`o a mi to Amida あみだ |
(out-dated kanji) (1) (Buddhist term) Amitabha (Buddha); Amida; (2) (kana only) (abbreviation) ghostleg lottery; ladder lottery; lottery in which participants trace a line across a lattice pattern to determine the winner; (3) (kana only) (abbreviation) wearing a hat pushed back on one's head (阿彌) amita, boundless, infinite; tr. by 無量 immeasurable. The Buddha of infinite qualities, known as 阿彌陀婆 (or 阿彌陀佛) Amitābha, tr. 無量光 boundless light; 阿彌陀廋斯Amitāyus, tr. 無量壽 boundless age, or life; and among the esoteric sects Amṛta 甘露 (甘露王) sweet-dew (king). An imaginary being unknown to ancient Buddhism, possibly of Persian or Iranian origin, who has eclipsed the historical Buddha in becoming the most popular divinity in the Mahāyāna pantheon. His name indicates an idealization rather than an historic personality, the idea of eternal light and life. The origin and date of the concept are unknown, but he has always been associated with the west, where in his Paradise, Suikhāvatī, the Western Pure Land, he receives to unbounded happiness all who call upon his name (cf. the Pure Lands 淨土 of Maitreya and Akṣobhya). This is consequent on his forty-eight vows, especially the eighteenth, in which he vows to refuse Buddhahood until he has saved all living beings to his Paradise, except those who had committed the five unpardonable sins, or were guilty of blasphemy against the Faith. While his Paradise is theoretically only a stage on the way to rebirth in the final joys of nirvana, it is popularly considered as the final resting-place of those who cry na-mo a-mi-to-fo, or blessed be, or adoration to, Amita Buddha. The 淨土 Pure-land (Jap. Jōdo) sect is especially devoted to this cult, which arises chiefly out of the Sukhāvatīvyūha, but Amita is referred to in many other texts and recognized, with differing interpretations and emphasis, by the other sects. Eitel attributes the first preaching of the dogma to 'a priest from Tokhara' in A. D.147, and says that Faxian and Xuanzang make no mention of the cult. But the Chinese pilgrim 慧日Huiri says he found it prevalent in India 702-719. The first translation of the Amitāyus Sutra, circa A.D. 223-253, had disappeared when the Kaiyuan catalogue was compiled A.D. 730. The eighteenth vow occurs in the tr. by Dharmarakṣa A.D. 308. With Amita is closely associated Avalokiteśvara, who is also considered as his incarnation, and appears crowned with, or bearing the image of Amita. In the trinity of Amita, Avalokiteśvara appears on his left and Mahāsthāmaprāpta on his right. Another group, of five, includes Kṣitigarbha and Nāgārjuna, the latter counted as the second patriarch of the Pure Land sect. One who calls on the name of Amitābha is styled 阿彌陀聖 a saint of Amitābha. Amitābha is one of the Five 'dhyāni buddhas' 五佛, q.v. He has many titles, amongst which are the following twelve relating to him as Buddha of light, also his title of eternal life: 無量光佛Buddha of boundless light; 無邊光佛 Buddha of unlimited light; 無礙光佛 Buddha of irresistible light; 無對光佛 Buddha of incomparable light; 燄王光佛 Buddha of yama or flame-king light; 淸淨光佛 Buddha of pure light; 歡喜光佛 Buddha of joyous light; 智慧光佛 Buddha of wisdom light; 不斷光佛 Buddha of unending light; 難思光佛 Buddha of inconceivable light; 無稱光佛Buddha of indescribable light; 超日月光佛 Buddha of light surpassing that of sun and moon; 無量壽 Buddha of boundless age. As buddha he has, of course, all the attributes of a buddha, including the trikāya, or 法報化身, about which in re Amita there are differences of opinion in the various schools. His esoteric germ-letter is hrīḥ, and he has specific manual-signs. Cf. 阿彌陀經, of which with commentaries there are numerous editions. |
人工概念 see styles |
rén gōng gài niàn ren2 gong1 gai4 nian4 jen kung kai nien |
artificial concept |
仏教思想 see styles |
bukkyoushisou / bukkyoshiso ぶっきょうしそう |
{Buddh} Buddhist thought; Buddhist concept |
Variations: |
souki / soki そうき |
double happiness (Chinese concept, esp. with food, restaurants, etc.) |
君主道徳 see styles |
kunshudoutoku / kunshudotoku くんしゅどうとく |
(See 奴隷道徳) Herrenmoral (master morality, as a philosophical concept of Nietzsche) |
基層文化 see styles |
kisoubunka / kisobunka きそうぶんか |
(See 表層文化) fundamental culture (concept proposed by German folklorist Hans Naumann); deep culture |
基本原理 see styles |
jī běn yuán lǐ ji1 ben3 yuan2 li3 chi pen yüan li kihongenri きほんげんり |
fundamental principle fundamental idea; basic concept |
奴隷道徳 see styles |
doreidoutoku / doredotoku どれいどうとく |
(See 君主道徳) Sklavenmoral (slave morality, as a philosophical concept of Nietzsche) |
実証実験 see styles |
jisshoujikken / jisshojikken じっしょうじっけん |
proof-of-concept; demonstration experiment; verification test |
対立概念 see styles |
tairitsugainen たいりつがいねん |
the exact opposite concept (idea); the antithesis |
抽象概念 see styles |
chuushougainen / chushogainen ちゅうしょうがいねん |
abstract concept; abstraction; abstract idea |
概念実証 see styles |
gainenjisshou / gainenjissho がいねんじっしょう |
proof of concept |
概念記号 see styles |
gainenkigou / gainenkigo がいねんきごう |
{comp} concept symbol |
概念驗證 概念验证 see styles |
gài niàn yàn zhèng gai4 nian4 yan4 zheng4 kai nien yen cheng |
proof of concept |
権力意志 see styles |
kenryokuishi けんりょくいし |
the will to power (philosophical concept of Nietzsche) |
眞無漏智 眞无漏智 see styles |
zhēn wú lòu zhì zhen1 wu2 lou4 zhi4 chen wu lou chih shin muro chi |
The true knowledge of the Mahāyāna in its concept of mental reality, in contrast with Hīnayāna concepts of material reality. |
自己概念 see styles |
jikogainen じこがいねん |
self-concept; self-perspective; self-image |
設計思想 see styles |
sekkeishisou / sekkeshiso せっけいしそう |
design concept; design philosophy; basic ideas behind a design |
諸法実相 see styles |
shohoujissou / shohojisso しょほうじっそう |
{Buddh} concept that all things and phenomena reflect the truth |
コンカフェ see styles |
konkafe コンカフェ |
(abbreviation) (See コンセプトカフェ) concept cafe (cafe with a special theme, e.g. cats, chocolate, crafts) |
コンセプト see styles |
konseputo コンセプト |
(1) (See 概念・がいねん) concept; general idea; notion; (2) (See 構想・こうそう) intention; aim; design; philosophy; plan; plot; theme |
ダーザイン see styles |
daazain / dazain ダーザイン |
(See 現存在・げんそんざい) Dasein; philosophical concept introduced by Heidegger |
五同緣意識 五同缘意识 see styles |
wǔ tóng yuán yì shì wu3 tong2 yuan2 yi4 shi4 wu t`ung yüan i shih wu tung yüan i shih go dōen ishiki |
One of the four kinds of 意識 q. v.; the mental concept of the perceptions of the five senses. 五味 The five flavours, or stages of making ghee, which is said to be a cure for all ailments; it is a Tiantai illustration of the five periods of the Buddha's teaching: (1) M000190 |ksira, fresh milk, his first preaching, i. e. that of the 華嚴經 Avatamsaka, for śrāvakas and pratyeka-buddhas; (2) 酪 |dadhi, coagulated milk, cream, the 阿含經 Agamas, for Hīnayāna generally; (3) 生酥 | navanita, curdled, the 方等經 Vaipulyas, for the Mahāyāna 通經(4) 涅槃經 |ghola, butter, the 般若經 Prajna, for the Mahāyāna 別教; (5) 醍醐 |sarpirmandla, clarified butter, ghee, the 法華 Lotus and 涅槃經 Nirvana sutras, for the Mahāyāna 圓教; see also 五時教, and v. 涅槃經 14. Also, the ordinary five flavours -sour, bitter, sweet, pungent, and salty. |
新民主主義 新民主主义 see styles |
xīn mín zhǔ zhǔ yì xin1 min2 zhu3 zhu3 yi4 hsin min chu chu i shinminshushugi しんみんしゅしゅぎ |
New Democracy New Democracy (concept devised by Mao Zedong) |
新資本主義 see styles |
shinshihonshugi しんしほんしゅぎ |
(1) neocapitalism; (2) (See 新しい資本主義) New Capitalism (concept proposed by Fumio Kishida) |
阿羅邏迦藍 阿罗逻迦蓝 see styles |
ā luó luó jiā lán a1 luo2 luo2 jia1 lan2 a lo lo chia lan Ararakaran |
Ālāra Kālāma or Ārāḍa Kālāma, the ṛṣi to whom Śākyamuni went on leaving home; another was Udraka Rāmaputra; they had attained to the concept of nothingness, including the non-existence of ideas. Other forms are 阿羅邏迦羅摩; 阿羅?迦邏摩; 阿藍迦; 阿藍 (阿藍伽藍); 阿蘭迦蘭; 羅勒迦藍. |
イメージ写真 see styles |
imeejishashin イメージしゃしん |
photograph giving only an impression of something; concept image |
プロデュース see styles |
purodeuusu / purodeusu プロデュース |
(vs,vt) (1) to produce (e.g. movie, play, show, event, musical recording, etc.); to design (e.g. new commercial product, restaurant concept, etc.); to create; (n,adj-f) (2) (See プロデュース料・プロデュースりょう) production; creation; design |
概念驅動加工 概念驱动加工 see styles |
gài niàn qū dòng jiā gōng gai4 nian4 qu1 dong4 jia1 gong1 kai nien ch`ü tung chia kung kai nien chü tung chia kung |
concept-driven processing |
環太平洋構想 see styles |
kantaiheiyoukousou / kantaiheyokoso かんたいへいようこうそう |
Pan-Pacific concept; Pacific Rim concept |
コンセプトアド see styles |
konseputoado コンセプトアド |
concept advertisement |
コンセプトカー see styles |
konseputokaa / konseputoka コンセプトカー |
concept car |
基本コンセプト see styles |
kihonkonseputo きほんコンセプト |
basic concept |
新しい資本主義 see styles |
atarashiishihonshugi / atarashishihonshugi あたらしいしほんしゅぎ |
(exp,n) {econ} New Capitalism (concept proposed by Fumio Kishida) |
碁打ちに時なし see styles |
gouchinitokinashi / gochinitokinashi ごうちにときなし |
(expression) (proverb) (rare) go players have no concept of time (being so engrossed in the game) |
コンセプト・アド see styles |
konseputo ado コンセプト・アド |
concept advertisement |
コンセプト・カー see styles |
konseputo kaa / konseputo ka コンセプト・カー |
concept car |
コンセプトアート see styles |
konseputoaato / konseputoato コンセプトアート |
concept art |
ストアコンセプト see styles |
sutoakonseputo ストアコンセプト |
store concept |
コンセプト・アート see styles |
konseputo aato / konseputo ato コンセプト・アート |
concept art |
ストア・コンセプト see styles |
sutoa konseputo ストア・コンセプト |
store concept |
Variations: |
konseputoado; konseputo ado コンセプトアド; コンセプト・アド |
concept advertisement; concept advertising |
Variations: |
konseputokaa; konseputo kaa / konseputoka; konseputo ka コンセプトカー; コンセプト・カー |
concept car |
Variations: |
imeejiirasuto; imeeji irasuto / imeejirasuto; imeeji irasuto イメージイラスト; イメージ・イラスト |
(See コンセプトアート) concept art |
Variations: |
konseputoaato; konseputo aato / konseputoato; konseputo ato コンセプトアート; コンセプト・アート |
concept art |
Variations: |
konseputokafe; konseputo kafe コンセプトカフェ; コンセプト・カフェ |
concept cafe (cafe with a special theme, e.g. cats, chocolate, crafts) |
Variations: |
sutoakonseputo; sutoa konseputo ストアコンセプト; ストア・コンセプト |
store concept |
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
This page contains 86 results for "concept" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
This dictionary uses the EDICT and CC-CEDICT dictionary files.
EDICT data is the property of the Electronic Dictionary Research and Development Group, and is used in conformance with the Group's
license.
Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.
Just because a word appears here does not mean it is appropriate for a tattoo, your business name, etc. Please consult a professional before doing anything stupid with this data.
We do offer Chinese and Japanese Tattoo Services. We'll also be happy to help you translate something for other purposes.
No warranty as to the correctness, potential vulgarity, or clarity is expressed or implied. We did not write any of these definitions (though we occasionally act as a contributor/editor to the CC-CEDICT project). You are using this dictionary for free, and you get what you pay for.
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