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Trinity in Chinese / Japanese...

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The Holy Trinity

 sān wèi yì tǐ
The Holy Trinity Scroll

三位一體 is the Chinese and old Korean way to write Holy Trinity.

This would be understood in Japanese as well, but they tend to write it with the last character simplified like 三位一体 in modern Japan.

This can be translated literally as “Three Thrones, One Body.”
Asian Christians will understand this as the Trinity, God the Father, the Son, and the Holy Spirit.

The Holy Trinity

 sanmiittai
The Holy Trinity Scroll

三位一体 is the modern Japanese version of the Holy Trinity.

Some will romanize this as Sanmittai or Sanmiittai.

 cuī ní tí
Trinity Scroll

崔尼提 is the transliteration to Mandarin Chinese for the name Trinity.

This sounds like Trinity but does not have the meaning of Trinity.

 cuì nī tí
Trinity Scroll

This is another common Mandarin Chinese transliteration for the female name Trinity.

 toriniti
Trinity Scroll

トリニチ is the name Trinity in Japanese.


Note: Because this title is entirely Japanese Katakana, it should be written by a Japanese calligrapher.

Buddha Dharma Sangha

 fó fǎ sēng
 buppō sō
Buddha  Dharma  Sangha Scroll

佛法僧 is the Buddha, Dharma, and Saṅgha.

These three characters are the “Triple Gem” of Buddhism or the Buddhist Trinity.


Not the results for trinity that you were looking for?

Below are some entries from our dictionary that may match your trinity search...

Characters

If shown, 2nd row is Simp. Chinese

Pronunciation
Romanization
Simple Dictionary Definition

see styles

    fo2
fo
 hotoke
    ほとけ

More info & calligraphy:

Buddhism / Buddha
Buddha; Buddhism (abbr. for 佛陀[Fo2tuo2])
(surname) Hotoke
Buddha, from budh to "be aware of", "conceive", "observe", "wake"; also 佛陀; 浮圖; 浮陀; 浮頭; 浮塔; 勃陀; 勃馱; 沒馱; 母馱; 母陀; 部陀; 休屠. Buddha means "completely conscious, enlightened", and came to mean the enlightener. he Chinese translation is 覺 to perceive, aware, awake; and 智 gnosis, knowledge. There is an Eternal Buddha, see e.g. the Lotus Sutra, cap. 16, and multitudes of Buddhas, but the personality of a Supreme Buddha, an Ādi-Buddha, is not defined. Buddha is in and through all things, and some schools are definitely Pan-Buddhist in the pantheistic sense. In the triratna 三寳 commonly known as 三寳佛, while Śākyamuni Buddha is the first "person" of the Trinity, his Law the second, and the Order the third, all three by some are accounted as manifestations of the All-Buddha. As Śākyamuni, the title indicates him as the last of the line of Buddhas who have appeared in this world, Maitreya is to be the next. As such he is the one who has achieved enlightenment, having discovered the essential evil of existence (some say mundane existence, others all existence), and the way of deliverance from the constant round of reincarnations; this way is through the moral life into nirvana, by means of self-abnegation, the monastic life, and meditation. By this method a Buddha, or enlightened one, himself obtains Supreme Enlightenment, or Omniscience, and according to Māhāyanism leads all beings into the same enlightenment. He sees things not as they seem in their phenomenal but in their noumenal aspects, as they really are. The term is also applied to those who understand the chain of causality (twelve nidānas) and have attained enlightenment surpassing that of the arhat. Four types of the Buddha are referred to: (1) 三藏佛the Buddha of the Tripiṭaka who attained enlightenment on the bare ground under the bodhi-tree; (2) 通佛the Buddha on the deva robe under the bodhi-tree of the seven precious things; (3) 別佛the Buddha on the great precious Lotus throne under the Lotus realm bodhi-tree; and (4) 圓佛the Buddha on the throne of Space in the realm of eternal rest and glory where he is Vairocana. The Hīnayāna only admits the existence of one Buddha at a time; Mahāyāna claims the existence of many Buddhas at one and the same time, as many Buddhas as there are Buddha-universes, which are infinite in number.

佛法僧

see styles
fó fǎ sēng
    fo2 fa3 seng1
fo fa seng
 buppō sō

More info & calligraphy:

Buddha Dharma Sangha
Buddha, Dharma, Saṅgha, i.e. the Buddhist Trinity.

三位一体

see styles
 sanmiittai / sanmittai
    さんみいったい

More info & calligraphy:

The Holy Trinity
(1) (yoji) {Christn} the Trinity; (2) (yoji) three parts; three components; three factors; three aspects

三位一體


三位一体

see styles
sān wèi yī tǐ
    san1 wei4 yi1 ti3
san wei i t`i
    san wei i ti

More info & calligraphy:

The Holy Trinity
Holy Trinity; trinity
See: 三位一体

不動明王


不动明王

see styles
bù dòng míng wáng
    bu4 dong4 ming2 wang2
pu tung ming wang
 fudoumyouou / fudomyoo
    ふどうみょうおう

More info & calligraphy:

Fudo Myo-o / Wisdom King
{Buddh} Acala (Wisdom King); Acalanatha; Fudō Myōō (Myō-ō); fierce Buddhist deity; (place-name) Fudoumyouou
不動尊 Aryacalanatha 阿奢羅曩 tr. 不動尊 and 無動尊 and Acalaceta, 阿奢囉逝吒 tr. 不動使者. The mouthpiece or messenger, e. g. the Mercury, of the Buddhas; and the chief of the five Ming Wang. He is regarded as the third person in the Vairocana trinity. He has a fierce mien overawing all evil spirits. He is said to have attained to Buddhahood, but also still to retain his position with Vairocana. He has many descriptive titles, e. g. 無量力神通無動者; 不動忿怒王, etc. Five different verbal signs are given to him. He carries a sharp wisdom-sword, a noose, a thunder-bolt. The colour of his images is various—black, blue, purple. He has a youthful appearance; his hair falls over his left shoulder; he stands or sits on a rock; left eye closed; mouth shut, teeth gripping upper lip, wrinkled forehead, seven locks of hair, full-bodied, A second representation is with four faces and four arms, angry mien, protruding teeth, with fames around him. A third with necklaces. A fourth, red, seated on a rock, fames, trident, etc. There are other forms. He has fourteen distinguishing symbols, and many dharanis associated with the realm of fire, of saving those in distress, and of wisdom. He has two messengers 二童子 Kimkara 矜羯羅 and Cetaka 制吒迦, and, including these, a group of eight messengers 八大童子 each with image, symbol, word-sign, etc. Cf. 不動佛.

三一

see styles
sān yī
    san1 yi1
san i
 sanpin
    さんぴん
(1) (abbreviation) (derogatory term) (See 三一侍) low-ranking samurai; (2) (orig. meaning) rolling three and one (in a dice game); (given name) Mitsukazu
Trinity; also 31.

三位

see styles
sān wèi
    san1 wei4
san wei
 sanmi; sani
    さんみ; さんい
(1) (esp. さんい) third place; third rank; (2) (esp. さんみ) third rank (in the Japanese court system); (3) {Christn} (esp. さんみ) Trinity; the Father, the Son, and the Holy Spirit; (surname) Mitsui
three stages

三寳


三宝

see styles
sān bǎo
    san1 bao3
san pao
 sanbō
Triratna, or Ratnatraya, i.e. the Three Precious Ones: 佛 Buddha, 法 Dharma, 儈 Saṅgha, i.e. Buddha, the Law, the Ecelesia or Order. Eitel suggests this trinity may be adapted from the Trimūrti, i.e, Brahma, Viṣṇu, and Sīva. The Triratna takes many forms, e.g. the Trikāya 三身 q.v. There is also the Nepalese idea of a triple existence of each Buddha as a Nirvāṇa-Buddha, Dhyāni-Buddha, and Mānuṣi-Buddha; also the Tantric trinity of Vairocana as Nirvāṇa-Buddha, Locana according to Eitel "existing in reflex in the world of forms", and the human Buddha, Śākyamuni. There are other elaborated details known as the four and the six kinds of triratna 四 and 六種三寳, e.g. that the Triratna exists in each member of the trinity. The term has also been applied to the 三仙 q.v. Popularly the 三寳 are referred to the three images in the main hall of monasteries. The centre one is Śākyamuni, on his left Bhaiṣajya 藥師 and on his right Amitābha. There are other explanations, e.g. in some temples Amitābha is in the centre, Avalokiteśvara on his left, and Mahāsthāmaprāpta or Mañjuśrī on his right. Table of Triratna, Trikāya, and Trailokya: — DHARMASAṄGHABUDDHAEssential BodhiReflected BodhiPractical BodhiDhyāni BuddhaDhyāni BodhisattvaMānuṣī BuddhaDharmakāyaSambhogakāyaNirmāṇakāyaPurityCompletenessTransformations4th Buddha-kṣetra3rd Buddha-kṣetra1st and 2nd Buddha kṣetraArūpadhātuRūpadhātuKāmadhātu.

三身

see styles
sān shēn
    san1 shen1
san shen
 sanjin; sanshin
    さんじん; さんしん
{Buddh} trikaya (three bodies of the Buddha); (surname) Sanmi
trikāya. 三寶身 The threefold body or nature of a Buddha, i.e. the 法, 報, and 化身, or dharmakāya, sambhogakāya, and nirmāṇakāya. The three are defined as 自性, 受用, and 變化, the Buddha-body per se, or in its essential nature; his body of bliss, which he "receives" for his own "use" and enjoyment; and his body of transformation, by which he can appear in any form; i.e. spiritual, or essential; glorified; revealed. While the doctrine of the trikāya is a Mahāyāna concept, it partly results from the Hīnayāna idealization of the earthly Buddha with his thirty-two signs, eighty physical marks, clairvoyance, clairaudience, holiness, purity, wisdom, pity, etc. Mahāyāna, however, proceeded to conceive of Buddha as the Universal, the All, with infinity of forms, yet above all our concepts of unity or diversity. To every Buddha Mahāyāna attributed a three-fold body: that of essential Buddha; that of joy or enjoyment of the fruits of his past saving labours; that of power to transform himself at will to any shape for omnipresent salvation of those who need him. The trinity finds different methods of expression, e.g. Vairocana is entitled 法身, the embodiment of the Law, shining everywhere, enlightening all; Locana is 報身; c.f. 三賓, the embodiment of purity and bliss; Śākyamuni is 化身 or Buddha revealed. In the esoteric sect they are 法 Vairocana, 報 Amitābha, and 化 Śākyamuni. The 三賓 are also 法 dharma, 報 saṅgha, 化 buddha. Nevertheless, the three are considered as a trinity, the three being essentially one, each in the other. (1) 法身 Dharmakāya in its earliest conception was that of the body of the dharma, or truth, as preached by Śākyamuni; later it became his mind or soul in contrast with his material body. In Mādhyamika, the dharmakāya was the only reality, i.e. the void, or the immateria1, the ground of all phenomena; in other words, the 眞如 the tathāgatagarbha, the bhūtatathatā. According to the Huayan (Kegon) School it is the 理or noumenon, while the other two are氣or phenomenal aspects. "For the Vijñānavāda... the body of the law as highest reality is the void intelligence, whose infection (saṃkleҫa) results in the process of birth and death, whilst its purification brings about Nirvāṇa, or its restoration to its primitive transparence" (Keith). The "body of the law is the true reality of everything". Nevertheless, in Mahāyāna every Buddha has his own 法身; e.g. in the dharmakāya aspect we have the designation Amitābha, who in his saṃbhogakāya aspect is styled Amitāyus. (2) 報身Sambhogakāya, a Buddha's reward body, or body of enjoyment of the merits he attained as a bodhisattva; in other words, a Buddha in glory in his heaven. This is the form of Buddha as an object of worship. It is defined in two aspects, (a) 自受用身 for his own bliss, and (b) 他受用身 for the sake of others, revealing himself in his glory to bodhisattvas, enlightening and inspiring them. By wisdom a Buddha's dharmakāya is attained, by bodhisattva-merits his saṃbhogakāya. Not only has every Buddha all the three bodies or aspects, but as all men are of the same essence, or nature, as Buddhas, they are therefore potential Buddhas and are in and of the trikāya. Moreover, trikāya is not divided, for a Buddha in his 化身 is still one with his 法身 and 報身, all three bodies being co-existent. (3) 化身; 應身; 應化身 nirmāṇakāya, a Buddha's transformation, or miraculous body, in which he appears at will and in any form outside his heaven, e.g. as Śākyamuni among men.

佛寶


佛宝

see styles
fó bǎo
    fo2 bao3
fo pao
 buppō
法寳, 僧寳 Buddha, Dharma, Saṅgha, i.e. Buddha, the Law, the Order; these are the three Jewels, or precious ones, the Buddhist Trinity; v. 三寳.

聖子


圣子

see styles
shèng zǐ
    sheng4 zi3
sheng tzu
 minako
    みなこ
Holy Son; Jesus Christ; God the Son (in the Christian Trinity)
(female given name) Minako

聖父


圣父

see styles
shèng fù
    sheng4 fu4
sheng fu
 shōfu
Holy Father; God the Father (in the Christian Trinity)
the saintly Father

聖神


圣神

see styles
shèng shén
    sheng4 shen2
sheng shen
 maria
    まりあ
feudal term of praise for ruler, king or emperor; general term for saint in former times; term for God during the Taiping Heavenly Kingdom 太平天國|太平天国; Holy Spirit (in Christian Trinity)
(female given name) Maria

阿吽

see styles
ā hóng
    a1 hong2
a hung
 aun
    あうん
(1) (kana only) Om (san:); Aun; syllable representing the primordial trinity of Vishnu, Shiva and Brahma; (2) inspiration and expiration; respiration; alpha and omega
ahūṃ, the supposed foundation of all sounds and writing, 'a' being the open and 'hūṃ' the closed sound. 'A' is the seed of Vairocana, 'hūṃ' that of Vajrasattva, and both have other indications. 'A' represents the absolute, 'hūṃ' the particular, or phenomenal.

アウン

see styles
 aun
    アウン
(1) (kana only) Om (san:); Aun; syllable representing the primordial trinity of Vishnu, Shiva and Brahma; (2) inspiration and expiration; respiration; alpha and omega

一神論


一神论

see styles
yī shén lùn
    yi1 shen2 lun4
i shen lun
 isshinron
    いっしんろん
monotheism; unitarianism (denying the Trinity)
monotheism

法門身


法门身

see styles
fǎ mén shēn
    fa3 men2 shen1
fa men shen
 hōmon shin
A Tiantai definition of the dharmakāya of the Trinity, i.e. the qualities, powers, and methods of the Buddha. The various representations of the respective characteristics of buddhas and bodhisattvas in the maṇḍalas.

盂蘭盆


盂兰盆

see styles
yú lán pén
    yu2 lan2 pen2
yü lan p`en
    yü lan pen
 urabon
    うらぼん
see 盂蘭盆會|盂兰盆会[Yu2 lan2 pen2 hui4]
Bon festival (Buddhist ceremony held around July 15); Feast of Lanterns
(盂蘭); 鳥藍婆 (鳥藍婆拏) ullambana 盂蘭 may be another form of lambana or avalamba, "hanging down," "depending," "support"; it is intp. "to hang upside down", or "to be in suspense", referring to extreme suffering in purgatory; but there is a suggestion of the dependence of the dead on the living. By some 盆 is regarded as a Chinese word, not part of the transliteration, meaning a vessel filled with offerings of food. The term is applied to the festival of All Souls, held about the 15th of the 7th moon, when masses are read by Buddhist and Taoist priests and elaborate offerings made to the Buddhist Trinity for the purpose of releasing from purgatory the souls of those who have died on land or sea. The Ullambanapātra Sutra is attributed to Śākyamuni, of course incorrectly; it was first tr. into Chinese by Dharmaraksha, A.D. 266-313 or 317; the first masses are not reported until the time of Liang Wudi, A.D. 538; and were popularized by Amogha (A.D. 732) under the influence of the Yogācārya School. They are generally observed in China, but are unknown to Southern Buddhism. The "idea of intercession on the part of the priesthood for the benefit of" souls in hell "is utterly antagonistic to the explicit teaching of primitive Buddhism'" The origin of the custom is unknown, but it is foisted on to Śākyamuni, whose disciple Maudgalyāyana is represented as having been to purgatory to relieve his mother's sufferings. Śākyamuni told him that only the united efforts of the whole priesthood 十方衆會 could alleviate the pains of the suffering. The mere suggestion of an All Souls Day with a great national day for the monks is sufficient to account for the spread of the festival. Eitel says: "Engrafted upon the narrative ancestral worship, this ceremonial for feeding the ghost of deceased ancestors of seven generations obtained immense popularity and is now practised by everybody in China, by Taoists even and by Confucianists." All kinds of food offerings are made and paper garments, etc., burnt. The occasion, 7th moon, 15th day, is known as the盂蘭會 (or 盂蘭盆會 or 盂蘭齋 or 盂蘭盆齋) and the sutra as 盂蘭經 (or 盂蘭盆經).

神の言

see styles
 kaminokotoba
    かみのことば
(expression) (1) Word of God; God's Word; sword of the Spirit; (2) Logos (i.e. the Trinity incarnate in Jesus Christ)

阿うん

see styles
 aun
    あうん
(1) (kana only) Om (san:); Aun; syllable representing the primordial trinity of Vishnu, Shiva and Brahma; (2) inspiration and expiration; respiration; alpha and omega

阿彌陀


阿弥陀

see styles
ā mí tuó
    a1 mi2 tuo2
a mi t`o
    a mi to
 Amida
    あみだ
(out-dated kanji) (1) (Buddhist term) Amitabha (Buddha); Amida; (2) (kana only) (abbreviation) ghostleg lottery; ladder lottery; lottery in which participants trace a line across a lattice pattern to determine the winner; (3) (kana only) (abbreviation) wearing a hat pushed back on one's head
(阿彌) amita, boundless, infinite; tr. by 無量 immeasurable. The Buddha of infinite qualities, known as 阿彌陀婆 (or 阿彌陀佛) Amitābha, tr. 無量光 boundless light; 阿彌陀廋斯Amitāyus, tr. 無量壽 boundless age, or life; and among the esoteric sects Amṛta 甘露 (甘露王) sweet-dew (king). An imaginary being unknown to ancient Buddhism, possibly of Persian or Iranian origin, who has eclipsed the historical Buddha in becoming the most popular divinity in the Mahāyāna pantheon. His name indicates an idealization rather than an historic personality, the idea of eternal light and life. The origin and date of the concept are unknown, but he has always been associated with the west, where in his Paradise, Suikhāvatī, the Western Pure Land, he receives to unbounded happiness all who call upon his name (cf. the Pure Lands 淨土 of Maitreya and Akṣobhya). This is consequent on his forty-eight vows, especially the eighteenth, in which he vows to refuse Buddhahood until he has saved all living beings to his Paradise, except those who had committed the five unpardonable sins, or were guilty of blasphemy against the Faith. While his Paradise is theoretically only a stage on the way to rebirth in the final joys of nirvana, it is popularly considered as the final resting-place of those who cry na-mo a-mi-to-fo, or blessed be, or adoration to, Amita Buddha. The 淨土 Pure-land (Jap. Jōdo) sect is especially devoted to this cult, which arises chiefly out of the Sukhāvatīvyūha, but Amita is referred to in many other texts and recognized, with differing interpretations and emphasis, by the other sects. Eitel attributes the first preaching of the dogma to 'a priest from Tokhara' in A. D.147, and says that Faxian and Xuanzang make no mention of the cult. But the Chinese pilgrim 慧日Huiri says he found it prevalent in India 702-719. The first translation of the Amitāyus Sutra, circa A.D. 223-253, had disappeared when the Kaiyuan catalogue was compiled A.D. 730. The eighteenth vow occurs in the tr. by Dharmarakṣa A.D. 308. With Amita is closely associated Avalokiteśvara, who is also considered as his incarnation, and appears crowned with, or bearing the image of Amita. In the trinity of Amita, Avalokiteśvara appears on his left and Mahāsthāmaprāpta on his right. Another group, of five, includes Kṣitigarbha and Nāgārjuna, the latter counted as the second patriarch of the Pure Land sect. One who calls on the name of Amitābha is styled 阿彌陀聖 a saint of Amitābha. Amitābha is one of the Five 'dhyāni buddhas' 五佛, q.v. He has many titles, amongst which are the following twelve relating to him as Buddha of light, also his title of eternal life: 無量光佛Buddha of boundless light; 無邊光佛 Buddha of unlimited light; 無礙光佛 Buddha of irresistible light; 無對光佛 Buddha of incomparable light; 燄王光佛 Buddha of yama or flame-king light; 淸淨光佛 Buddha of pure light; 歡喜光佛 Buddha of joyous light; 智慧光佛 Buddha of wisdom light; 不斷光佛 Buddha of unending light; 難思光佛 Buddha of inconceivable light; 無稱光佛Buddha of indescribable light; 超日月光佛 Buddha of light surpassing that of sun and moon; 無量壽 Buddha of boundless age. As buddha he has, of course, all the attributes of a buddha, including the trikāya, or 法報化身, about which in re Amita there are differences of opinion in the various schools. His esoteric germ-letter is hrīḥ, and he has specific manual-signs. Cf. 阿彌陀經, of which with commentaries there are numerous editions.

一月三身

see styles
yī yuè sān shēn
    yi1 yue4 san1 shen1
i yüeh san shen
 ichigatsu sanshin
The allegorical trikāya or three bodies of the moon, i.e. form as 法身, its light as 報身, its reflection as 應身; the Buddha-truth 法 has also its 體 body, its light of wisdom 智, and its application or use 用, but all three are one, or a trinity; see trikāya, 三身.

一體三分


一体三分

see styles
yī tǐ sān fēn
    yi1 ti3 san1 fen1
i t`i san fen
    i ti san fen
 ittai sanbun
The trinity of 摩醯首羅 Maheśvara (Śiva), 那羅延 Nārāyaṇa (Viṣṇu), and 梵天 Brahmā. One being in three manifestations.

上行菩薩


上行菩萨

see styles
shàng xíng pú sà
    shang4 xing2 pu2 sa4
shang hsing p`u sa
    shang hsing pu sa
 Jōgyō bosatsu
Viśiṣṭa-cāritra Bodhisattva, who suddenly rose out of the earth as Buddha was concluding one of his Lotus sermons; v. Lotus sūtra 15 and 21. He is supposed to have been a convert of the Buddha in long past ages and to come to the world in its days of evil. Nichiren in Japan believed himself to be this Bodhisattva's reincarnation, and the Nichiren trinity is the Buddha, i.e. the eternal Śākyamuni Buddha; the Law, i.e. the Lotus Truth; and the Saṅgha, i.e. this Bodhisattva, in other words Nichiren himself as the head of all living beings, or eldest son of the Buddha.

五智如來


五智如来

see styles
wǔ zhì rú lái
    wu3 zhi4 ru2 lai2
wu chih ju lai
 gochi nyorai
五智五佛; 五佛; 五如來 The five Dhyāni-Buddhas, or Wisdom-Tathāgatas of the Vajradhātu 金剛界, idealizations of five aspects of wisdom; possibly of Nepalese origin. The Wisdom Buddha represents the dharmakāya or Buddha-mind, also the Dharma of the triratna, or trinity. Each evolves one of the five colours, one of the five senses, a Dhyani-bodhisattva in two forms onegracious, the other fierce, and a Mānuṣi-Buddha; each has his own śakti, i. e. feminine energy or complement; also his own bīja, or germ-sound 種子or 印 seal, i. e. 眞言 real or substantive word, the five being for 大日 aṃ, for 阿閦 hūṃ, for 寶生 ? hrīḥ, for 彌陀 ? aḥ, for 不 空 ? āḥ. The five are also described as the emanations or forms of an Ādi-Buddha, Vajrasattva; the four are considered by others to be emanations or forms of Vairocana as theSupreme Buddha. The five are not always described as the same, e. g. they may be 藥師 (or 王) Bhaiṣajya, 多寶 Prabhūtaratna, Vairocana, Akṣobhya, andeither Amoghasiddhi or Śākyamuni. Below is a classified list of the generally accepted five with certain particulars connected with them, butthese differ in different places, and the list can only be a general guide. As to the Dhyāni-bodhisattvas, each Buddha evolves three forms 五佛生五菩薩, 五金剛, 五忿怒, i. e. (1) a bodhisattva who represents the Buddha's dharmakāya, or spiritual body; (2) a vajra ordiamond form who represents his wisdom in graciousness; and (3) a fierce or angry form, the 明王 who represents his power against evil. (1) Vairocanaappears in the three forms of 轉法輪菩薩 Vajra-pāramitā Bodhisattva, 遍照金剛 Universally Shining Vajrasattva, and 不動明王 Ārya-Acalanātha Rāja; (2) Akṣobhya's three forms are 虛空藏 Ākāśagarbha, 如意 complete power, and 軍荼利明王 Kuṇḍalī-rāja; (3 ) Ratnasaṃbhava's are 普賢 Samantabhadra, 薩埵Sattvavajra, and 孫婆 or 降三世明王 Trailokyavijayarāja; (4) Amitābha's are 觀世音 Avalokiteśvara, 法金剛 Dharmarāja, and 馬頭明王 Hayagrīva, thehorse-head Dharmapāla; (5) Amoghasiddhi's are 彌勒 Maitreya, 業金剛Karmavajra, and 金剛夜叉 Vajrayakṣa. The above Bodhisattvas differ from those in the following list:
NameChinesePositionElementSenseColor
Vairocana大日centreethersightwhite
Akṣobhya阿閦eastearthsoundblue
Ratnasaṃbhava寶生southfiresmellyellow
Amitābha彌陀westwatertastered
Amoghasiddhi不空northairtouchgreen
GermAnimalDhyani-BodhisattvaBuddha
aṃlionSamantabhadra 普賢Krakucchanda
hūṃelephantVajrapāṇi 金剛力士Kanakamuni
?aḥhorseRatnapāṇi 寶手Kāśyapa
? hrīḥgoose or peacockAvalokiteśvara 觀音Śākyamuni
?āḥgaruḍaVisvapāṇi?Maitreya


Arrival of the five wise Buddhas

法身體性


法身体性

see styles
fǎ shēn tǐ xìng
    fa3 shen1 ti3 xing4
fa shen t`i hsing
    fa shen ti hsing
 hōshin taishō
The embodiment, totality, or nature of the dharmakāya. In Hīnayāna the Buddha-nature in its 理 or absolute side is described as not discussed, being synonymous with the 五分 five divisions of the commandments, meditation, wisdom, release, and doctrine, 戒, 定, 慧, 解脫, and 知見. In the Mahāyāna the 三論宗 defines the absolute or ultimate reality as the formless which contains all forms, the essence of being, the noumenon of the other two manifestations of the triratna. The 法相宗 defines it as (a) the nature or essence of the whole triratna; (b) the particular form of the Dharma in that trinity. The One-Vehicle schools represented by the 華嚴宗, 天台, etc., consider it to be the bhūtatathatā, 理 and 智 being one and undivided. The Shingon sect takes the six elements-earth, water, fire, air, space, mind-as the 理 or fundamental dharmakāya and the sixth, mind, intelligence, or knowledge, as the 智 Wisdom dharmakāya.

神の言葉

see styles
 kaminokotoba
    かみのことば
(expression) (1) Word of God; God's Word; sword of the Spirit; (2) Logos (i.e. the Trinity incarnate in Jesus Christ)

トリニティー

see styles
 torinitii / toriniti
    トリニティー
Trinity

トリニティ川

see styles
 torinitigawa
    トリニティがわ
(place-name) Trinity (river)

トリニティー湾

see styles
 torinitiiwan / torinitiwan
    トリニティーわん
(place-name) Trinity Bay

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The following table may be helpful for those studying Chinese or Japanese...

Title CharactersRomaji (Romanized Japanese)Various forms of Romanized Chinese
The Holy Trinity三位一體
三位一体
sān wèi yì tǐ
san1 wei4 yi4 ti3
san wei yi ti
sanweiyiti
san wei i t`i
sanweiiti
san wei i ti
The Holy Trinity三位一体sanmiittai / sanmittai
Trinity崔尼提cuī ní tí
cui1 ni1 ti2
cui ni ti
cuiniti
ts`ui ni t`i
tsuiniti
tsui ni ti
Trinity翠妮緹
翠妮缇
cuì nī tí
cui4 ni1 ti2
cui ni ti
cuiniti
ts`ui ni t`i
tsuiniti
tsui ni ti
Trinityトリニチtoriniti
Buddha Dharma Sangha佛法僧buppō sō / buppōsō / bupō sōfó fǎ sēng
fo2 fa3 seng1
fo fa seng
fofaseng
In some entries above you will see that characters have different versions above and below a line.
In these cases, the characters above the line are Traditional Chinese, while the ones below are Simplified Chinese.


Dictionary

Lookup Trinity in my Japanese & Chinese Dictionary


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When the calligrapher finishes creating your artwork, it is taken to my art mounting workshop in Beijing where a wall scroll is made by hand from a combination of silk, rice paper, and wood.
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A nice Chinese calligraphy wall scroll

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A professional Chinese Calligrapher

Professional calligraphers are getting to be hard to find these days.
Instead of drawing characters by hand, the new generation in China merely type roman letters into their computer keyboards and pick the character that they want from a list that pops up.

There is some fear that true Chinese calligraphy may become a lost art in the coming years. Many art institutes in China are now promoting calligraphy programs in hopes of keeping this unique form of art alive.

Trying to learn Chinese calligrapher - a futile effort

Even with the teachings of a top-ranked calligrapher in China, my calligraphy will never be good enough to sell. I will leave that to the experts.

A high-ranked Chinese master calligrapher that I met in Zhongwei

The same calligrapher who gave me those lessons also attracted a crowd of thousands and a TV crew as he created characters over 6-feet high. He happens to be ranked as one of the top 100 calligraphers in all of China. He is also one of very few that would actually attempt such a feat.


Check out my lists of Japanese Kanji Calligraphy Wall Scrolls and Old Korean Hanja Calligraphy Wall Scrolls.

Some people may refer to this entry as Trinity Kanji, Trinity Characters, Trinity in Mandarin Chinese, Trinity Characters, Trinity in Chinese Writing, Trinity in Japanese Writing, Trinity in Asian Writing, Trinity Ideograms, Chinese Trinity symbols, Trinity Hieroglyphics, Trinity Glyphs, Trinity in Chinese Letters, Trinity Hanzi, Trinity in Japanese Kanji, Trinity Pictograms, Trinity in the Chinese Written-Language, or Trinity in the Japanese Written-Language.

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