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Formless in Chinese / Japanese...

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Below are some entries from our dictionary that may match your formless search...

Characters

If shown, 2nd row is Simp. Chinese

Pronunciation
Romanization
Simple Dictionary Definition

三界

see styles
sān jiè
    san1 jie4
san chieh
 sangai
    さんがい
(1) {Buddh} (See 欲界,色界,無色界) the three realms of existence; (2) (abbreviation) {Buddh} (See 三千大千世界) the whole universe (of a billion worlds) that Buddha enlightened; (3) {Buddh} (See 三世・さんぜ・1) past, present and future existences; (suffix) (4) far-off ...; distant ...; (surname) Mikai
Trailokya or Triloka; the three realms; also 三有. It is the Buddhist metaphysical equivalent for the Brahmanic cosmological bhuvanatraya, or triple world of bhūr, bhuvaḥ, and svar, earth, atmosphere, and heaven. The Buddhist three are 欲, 色, and 無色界, i.e. world of sensuous desire, form, and formless world of pure spirit. (a) 欲界 Kāmadhātu is the realm of sensuous desire, of 婬 and 食 sex and food; it includes the six heavens of desire, the human world, and the hells. (b) 色界 Rūpadhātu is the realm of form, meaning 質礙 that which is substantial and resistant: it is above the lust-world and contains (so to speak) bodies, palaces, things, all mystic and wonderful一a semi-material conception like that in Revelation; it is represented in the 四禪天, or Brahmalokas. (c) 無色界 Arūpadhātu, or ārūpyadhātu, is the formless realm of pure spirit, where there are no bodies, places, things, at any rate none to which human terms would apply, but where the mind dwells in mystic contemplation; its extent is indefinable, but it is, conceived of in four stages, i,e. 四空處 the four "empty" regions, or regions of space in the immaterial world, which are 四無色 the four "formless" realms, or realms beyond form; being above the realm of form, their bounds cannot be defined. v. 倶舍論世間品.

上心

see styles
shàng xīn
    shang4 xin1
shang hsin
 jōshin
carefully; meticulously; to set one's heart on something
mental state of the formless meditation heaven

九地

see styles
jiǔ dì
    jiu3 di4
chiu ti
 kyuuchi / kyuchi
    きゅうち
very low land; (surname) Kuji
The nine lands, i.e. the 欲界 realm of desire or sensuous realm the four 色界 realms of form or material forms; and the four 無色界 formless realms, or realms beyond form; v. 九有, 九有情居, 禪 and 定. The nine realms are:—(1) 欲界五趣地; the desire realm with its five gati, i.e. hells, hungry ghosts, animals, men, and devas. In the four form-realms are:— (2) 離生喜樂地 Paradise after earthly life, this is also the first dhyāna, or subject of meditation, 初禪. (3) 定生喜樂地 Paradise of cessation of rebirth, 二禪. (4) 離喜妙樂地 Land of wondrous joy after the previous joys, 三禪. (5) 捨念淸淨地 The Pure Land of abandonment of thought, or recollection (of past delights), 四禪. The four formless, or infinite realms, catur arūpa dhātu, are:—(6) 空無邊處地 ākāśānantyā-yatanam, the land of infinite space; also the first samādhi, 第一定. (7) 識無邊處地 vijñānānamtyāyatanam, the land of omniscience, or infinite perception, 二定. (8) 無所有處地 ākiñcanyāyatana, the land of nothingness, 三定. (9) 非想非非想處地 naivasaṁjñānā-saṁjñāyatana, the land (of knowledge) without thinking or not thinking, or where there is neither consciousness nor unconsciousness, i.e. above either; this is the 四定. Eitel says that in the last four, "Life lasts 20,000 great kalpas in the 1st, 40,000 in the 2nd, 60,000 in the 3rd, and 80,000 great kalpas in the 4th of these heavens."

九業


九业

see styles
jiǔ yè
    jiu3 ye4
chiu yeh
 kugō
The nine kinds of karma, i.e. the desire realm and the form realm each has conduct that causes karma, does not cause karma, or is neutral, making 6; in the formless realm there are non-causative deeds, neutrality, and immortality, making 9; 成實論 8.

八忍

see styles
bā rěn
    ba1 ren3
pa jen
 hachinin
The eight kṣānti, or powers of patient endurance, in the desire-realm and the two realms above it, necessary to acquire the full realization of the truth of the Four Axioms, 四諦; these four give rise to the 四法忍, i.e. 苦, 集, 滅, 道法忍, the endurance or patient pursuit that results in their realization. In the realm of form and the formless, they are called the 四類忍. By patient meditation the 見惑 false or perplexed views will cease, and the八智 eight kinds of jñāna or gnosis be acquired; therefore 智 results from忍 and the sixteen, 八忍八智 (or 觀), are called the 十六心, i.e. the sixteen mental conditions during the stage of 見道, when 惑 illusions or perplexities of view are destroyed. Such is the teaching of the 唯識宗. The 八智 are 苦, 集, 滅,道法智 and 苦, etc. 類智.

十障

see styles
shí zhàng
    shi2 zhang4
shih chang
 jisshō
Ten hindrances; bodhisattvas in the stage of 十地 overcome these ten hindrances and realize the十眞如 q.v. The hindrances are: (1) 異生性障 the hindrance of the common illusions of the unenlightened, taking the seeming for real; (2) 邪行障 the hindrance of common unenlightened conduct; (3) 暗鈍障 the hindrance of ignorant and dull ideas; (4) 細惑現行障 the hindrance of the illusion that things are real and have independent existence; (5)下乘涅槃障 the hindrance of the lower ideals in Hīnayāna of nirvāṇa; (6) 細相現行障 the hindrance of the ordinary ideas of the pure and impure; (7) 細相現行障 the hindrance of the idea of reincarnation; (8) 無相加行障 the hindrance of the continuance of activity even in the formless world; (9) 不欲行障 the hindrance of no desire to act for the salvation of others; (10) 法未自在障 the hindrance of non- attainment of complete mastery of all things. v. 唯識論 10.

四住

see styles
sì zhù
    si4 zhu4
ssu chu
 shizumi
    しずみ
(surname) Shizumi
The four abodes or states in the 智度論 3, i. e. (1) 天住 the devalokas, equivalents of charity, morality, and goodness of heart; (2) 梵住 the brahmalokas, equivalents of benevolence, pity, joy, and indifference; (3) 聖住 the abode of śrāvakas, pratyekabuddhas, and bodhisattvas, equivalent of the samādhi of the immaterial realm, formless and still; (4) 佛住 the Buddha-abode, the equivalent of the samādhis of the infinite. v. 四住地.

有見


有见

see styles
yǒu jiàn
    you3 jian4
yu chien
 yumi
    ゆみ
(female given name) Yumi
The visible, but it is used also in the sense of the erroneous view that things really exist. Another meaning is the 色果 realm of form, as contrasted with the 無見 invisible, or with the formless realms.

無形


无形

see styles
wú xíng
    wu2 xing2
wu hsing
 mukei / muke
    むけい
incorporeal; virtual; formless; invisible (assets); intangible
(noun - becomes adjective with の) abstract; immaterial; moral; spiritual; intangible
immaterial

無色


无色

see styles
wú sè
    wu2 se4
wu se
 mushoku
    むしょく
colorless
(adj-no,n) (1) colourless; colorless; achromatic; (adj-no,n) (2) neutral (position); impartial
arūpa, formless, shapeless, immaterial.

眞如

see styles
zhēn rú
    zhen1 ru2
chen ju
 shinnyo
    しんにょ
(surname) Shinnyo
bhūtatathatā, 部多多他多. The眞 is intp. as 眞實 the real, 如 as 如常 thus always or eternally so; i.e. reality as contrasted with 虛妄 unreality, or appearance, and 不變不改 unchanging or immutable as contrasted with form and phenomena. It resembles the ocean in contrast with the waves. It is the eternal, impersonal, unchangeable reality behind all phenomena. bhūta is substance, that which exists; tathatā is suchness, thusness, i.e. such is its nature. The word is fundamental to Mahāyāna philosophy, implying the absolute, the ultimate source and character of all phenomena, it is the All. It is also called 自性淸淨心 self-existent pure Mind; 佛性 Buddha-nature; 法身 dharmakāya; 如來藏 tathāgata-garbha, or Buddha-treasury; 實相 reality; 法界 Dharma-realm; 法性Dharma-nature; 圓成實性 The complete and perfect real nature, or reality. There are categories of 1, 2, 3, 7, 10, and 12 in number: (1) The undifferentiated whole. (2) There are several antithetical classes, e.g. the unconditioned and the conditioned; the 空 void, static, abstract, noumenal, and the 不 空 not-void, dynamic, phenomenal; pure, and affected (or infected); undefiled (or innocent), i.e. that of Buddhas, defiled, that of all beings; in bonds and free; inexpressible, and expressible in words. (3) 無相 Formless; 無生 uncreated; 無性 without nature, i.e. without characteristics or qualities, absolute in itself. Also, as relative, i.e. good, bad, and indeterminate. (7, 10, 12) The 7 are given in the 唯識論 8; the 10 are in two classes, one of the 別教 cf. 唯識論 8; the other of the 圓教, cf. 菩提心義 4; the 12 are given in the Nirvana Sutra.

空色

see styles
kōng sè
    kong1 se4
k`ung se
    kung se
 sorairo
    そらいろ
(noun - becomes adjective with の) sky-blue; (personal name) Kuujiki
Formless and with form; noumena and phenomena.

空處


空处

see styles
kōng chù
    kong1 chu4
k`ung ch`u
    kung chu
 sorajo
    そらじょ
(surname) Sorajo
空無邊處 Ākāśānantyāyatana; the abode of infinite space, the formless, or immaterial world 無色界 the first of the arūpaloka heavens, one of the four brahmalokas.

諸法


诸法

see styles
zhū fǎ
    zhu1 fa3
chu fa
 shohou / shoho
    しょほう
{Buddh} all existing things (formed and formless)
sarvadharma; sarvabhāva; all things; every dharma, law, thing, method, etc.

識食


识食

see styles
shì shí
    shi4 shi2
shih shih
 shikijiki
Spiritual food, mental food, by which are kept alive the devas of the formless realms and the dwellers in the hells.

非色

see styles
fēi sè
    fei1 se4
fei se
arūpa, formless, i.e. without rūpa, form, or shape, not composed of the four elements. Also the four skandhas, 非色四薀 excluding rūpa or form.

駄都

see styles
tuó dōu
    tuo2 dou1
t`o tou
    to tou
dhātu, intp. by 界 field, area, sphere; 體 embodiment, body, corpus; 性nature, characteristic. It means that which is placed or laid; a deposit, foundation, constituent, ingredient, element; also a śarīra, or relic of Buddha The two dhātus are the conditioned and unconditioned, phenomenal and noumenal; the three are the realms of desire, of form, and of the formless; the four are earth, water, fire, and air; the six add space and intelligence; the eighteen are the twelve āyatanas, with six sensations added.

三種相


三种相

see styles
sān zhǒng xiàng
    san1 zhong3 xiang4
san chung hsiang
 sanshu sō
The three kinds of appearance: (1) In logic, the three kinds of percepts: (a) 標相 inferential, as fire is inferred from smoke; (b) 形相 formal or spatial, as length, breadth, etc.; (c) 體相 qualitative, as heat is in fire, etc. (2) (a) 假名相 names, which are merely indications of the temporal; (b) 法相 dharmas, or "things"; (c) 無相相 the formless— all three are incorrect positions.

不還向


不还向

see styles
bù huán xiàng
    bu4 huan2 xiang4
pu huan hsiang
 fu genkō
The third of the 四向 four directions or aims, see 阿那含 anāgāmin, not returning to the desire-world, but rising above it to the 色界 or the 無色界 form-realm, or even formless realm.

二空觀


二空观

see styles
èr kōng guān
    er4 kong1 guan1
erh k`ung kuan
    erh kung kuan
 ni kūkan
Two kinds of meditation on the "void', or unreality: (a) 無生觀 the meditation that things are unproduced, having no individual or separate natures, i.e. that all things are void and unreal; cf. 性空; (b) 無相觀 that they are therefore formless, cf. 相空. Also 人 and 法空觀 see above.

五住地

see styles
wǔ zhù dì
    wu3 zhu4 di4
wu chu ti
 go jūji
(五住) The five fundamental condition of 煩惱 the passions and delusions: wrong views which are common to the trailokya; clinging, or attachment, in the desire-realm; clinging, or attachment, in the form-realm; clinging, or attachment, in the formless realm which is still mortal: the state of unenlightenment or ignorance in the trailokya 三界 which is the root-cause of all distressful delusion, Also 五住地惑.

四住地

see styles
sì zhù dì
    si4 zhu4 di4
ssu chu ti
 shi jūji
(四住) The four states or conditions found in mortality; wherein are the delusions of misleading views and desires. They are (1) 見一切住地 the delusions arising from seeing things as they seem, not as they really are. (2) 欲愛住地 the desires in the desire-realm. (3) 色愛住地 the desires in the form-realm. (4) 有愛住地 the desires in the formless realm. When 無明住地 the state of ignorance is added we have the 五住地 five states. These five states condition all error, and are the ground in which spring the roots of the countless passions and delusions of all mortal beings.

四無色


四无色

see styles
sì wú sè
    si4 wu2 se4
ssu wu se
 shi mushiki
idem 四空處, 四空定.

四空天

see styles
sì kōng tiān
    si4 kong1 tian1
ssu k`ung t`ien
    ssu kung tien
 shi gūten
four formless heavens

四空定

see styles
sì kōng dìng
    si4 kong1 ding4
ssu k`ung ting
    ssu kung ting
 shi kūjō
四無色定 The last four of the twelve dhyānas; the auto-hypnotic, or ecstatic entry into the four states represented by the four dhyāna heavens, i. e. 四 空 處 supra. In the first, the mind becomes void and vast like space; in the second, the powers of perception and understanding are unlimited; in the third, the discriminative powers of mind are subdued; in the fourth, the realm of consciousness or knowledge) without thought is reached, e. g. intuitive wisdom. These four are considered both as states of dhyāna, and as heavens into which one who practices these forms of dhyāna may be born.

四空處


四空处

see styles
sì kōng chù
    si4 kong1 chu4
ssu k`ung ch`u
    ssu kung chu
 shi kūsho
(or四空天) catur-ārūpya brahmalokas; also 四無色界 and see 四空定. The four immaterial or formless heavens, arūpa-dhātu, above the eighteen brahmalokas: (1) 空無邊處 ākāśānantyāyatana, also termed 虛空 處 the state or heaven of boundless space; (2) 識無邊處 vijñānanāntyāyatana, of boundless knowledge; (3) 無所有處 ākiñcanyāyatana, of nothing, or nonexistence; (4) 非想非非想處 naivasanjñānasañjnāyatana, also styled 非有想非無想 the state of neither thinking nor not thinking (which may resemble a state of intuition). Existence in the first state lasts 20, 000 great kalpas, increasing respectively to 40, 000, 60, 000 and 80, 000 in the other three.

曼荼羅


曼荼罗

see styles
màn tú luó
    man4 tu2 luo2
man t`u lo
    man tu lo
 mandara
    まんだら
(Buddhism) (loanword from Sanskrit) mandala
mandala; Buddhist visual schema of the enlightened mind; (given name) Mandara
曼怛羅; 曼特羅; 曼陀羅; 曼拏羅; 蔓陀囉; 滿荼邏 maṇḍala, a circle, globe, wheel ring; "any circular figure or diagram" (M.W.); a magic circle; a plot or place of enlightenment; a round or square altar on which buddhas and bodhisattvas are placed; a group of such, especially the garbhadhātu and vajradhātu groups of the Shingon sect; these were arranged by Kōbō Daishi to express the mystic doctrine of the two dhātu by way of illustration, the garbhadhātu representing the 理 and the 因 principle and cause, the vajradhātu the 智 and the 果 intelligence (or reason) and the effect, i.e. the fundamental realm of being, and mind as inherent in it; v. 胎 and 金剛. The two realms are fundamentally one, as are the absolute and phenomenal, e.g. water and wave. There are many kinds of maṇḍalas, e.g. the group of the Lotus Sutra; of the 觀經; of the nine luminaries; of the Buddha's entering into nirvana, etc. The real purpose of a maṇḍala is to gather the spiritual powers together, in order to promote the operation of the dharma or law. The term is commonly applied to a magic circle, subdivided into circles or squares in which are painted Buddhist divinities and symbols. Maṇḍalas also reveal the direct retribution of each of the ten worlds of beings (purgatory, pretas, animals, asuras, men, devas, the heavens of form, formless heavens, bodhisattvas, and buddhas). Each world has its maṇḍala which represents the originating principle that brings it to completion. The maṇḍala of the tenth world indicates the fulfilment and completion of the nine worlds.

根本定

see styles
gēn běn dìng
    gen1 ben3 ding4
ken pen ting
 konpon jō
根本禪; 根本等至 The stages of dhyāna in the formless or immaterial realm.

無相戒


无相戒

see styles
wú xiàng jiè
    wu2 xiang4 jie4
wu hsiang chieh
 musō kai
formless precepts

無相願


无相愿

see styles
wú xiàng yuàn
    wu2 xiang4 yuan4
wu hsiang yüan
 musō gan
the state which is formless, purposeless

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All of our calligraphy wall scrolls are handmade.

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A nice Chinese calligraphy wall scroll

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single-character wall scroll.
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A professional Chinese Calligrapher

Professional calligraphers are getting to be hard to find these days.
Instead of drawing characters by hand, the new generation in China merely type roman letters into their computer keyboards and pick the character that they want from a list that pops up.

There is some fear that true Chinese calligraphy may become a lost art in the coming years. Many art institutes in China are now promoting calligraphy programs in hopes of keeping this unique form of art alive.

Trying to learn Chinese calligrapher - a futile effort

Even with the teachings of a top-ranked calligrapher in China, my calligraphy will never be good enough to sell. I will leave that to the experts.

A high-ranked Chinese master calligrapher that I met in Zhongwei

The same calligrapher who gave me those lessons also attracted a crowd of thousands and a TV crew as he created characters over 6-feet high. He happens to be ranked as one of the top 100 calligraphers in all of China. He is also one of very few that would actually attempt such a feat.


Check out my lists of Japanese Kanji Calligraphy Wall Scrolls and Old Korean Hanja Calligraphy Wall Scrolls.

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