The name Spring Poem in Chinese / Japanese...

This is a common way to write “ivy” in Chinese.
There are varieties of ivy plant, and other ways to say ivy in Chinese but this version is probably the nicest. It's the one you would use if writing a poem about ivy etc.

If you want the actual meaning, this is, “Always Young Vine,” or “Ever Living Vine.” The literal meaning of the characters is more like, “Always Spring[time] Vine.” But Spring can have other representations in Chinese such as new life, youth, freshness, joyfulness, etc.

This poem was written almost 1200 years ago during the Tang dynasty.

It depicts traveling up a place known as Cold Mountain, where some hearty people have built their homes. The traveler is overwhelmed by the beauty of the turning leaves of the maple forest that surrounds him just as night overtakes the day, and darkness prevails. His heart implores him to stop, and take in all of the beauty around him.

First, before you get to the full translation, I must tell you that Chinese poetry is a lot different than what we have in the west. Chinese words simply don't rhyme in the same way that English or other western languages do. Chinese poetry depends on rhythm and a certain beat of repeated numbers of characters.

I have done my best to translate this poem keeping a certain feel of the original poet. But some of the original beauty of the poem in its original Chinese will be lost in translation.

Far away on Cold Mountain, a stone path leads upwards.
Among white clouds, people's homes reside.
Stopping my carriage I must, as to admire the maple forest at nights fall.
In awe of autumn leaves showing more red than even flowers of early spring.

Hopefully, this poem will remind you to stop, and “take it all in” as you travel through life.
The poet's name is “Du Mu” in Chinese that is: .
The title of the poem, “Mountain Travels” is:
You can have the title, poet's name, and even “Tang Dynasty” written as an inscription on your custom wall scroll if you like.

More about the poet:

Dumu lived from 803-852 AD and was a leading Chinese poet during the later part of the Tang dynasty.
He was born in Chang'an, a city in central China and the former capital of the ancient Chinese empire in 221-206 BC. In present-day China, his birthplace is currently known as Xi'an, the home of the Terracotta Soldiers.

He was awarded his Jinshi degree (an exam administered by the emperor's court which leads to becoming an official of the court) at the age of 25 and went on to hold many official positions over the years. However, he never achieved a high rank, apparently because of some disputes between various factions, and his family's criticism of the government. His last post in the court was his appointment to the office of Secretariat Drafter.

During his life, he wrote scores of narrative poems, as well as a commentary on the Art of War and many letters of advice to high officials.

His poems were often very realistic and often depicted everyday life. He wrote poems about everything, from drinking beer in a tavern to weepy poems about lost love.

The thing that strikes you most is the fact even after 1200 years, not much has changed about the beauty of nature, toils, and troubles of love and beer drinking.

誰言寸草心報得三春暉 is the last line of a famous poem. It is perceived as a tribute or ode to your parents or mother from a child or children that have left home.

The poem was written by Meng Jiao during the Tang Dynasty (about 1200 years ago). The Chinese title is “You Zi Yin” which means “The Traveler's Recite.”

The last line as shown here speaks of the generous and warm spring sunlight which gives the grass far beyond what the little grass can could ever give back (except perhaps by showing its lovely green leaves and flourishing). The metaphor is that the sun is your mother or parents, and you are the grass. Your parents raise you and give you all the love and care you need to prepare you for the world. A debt that you can never repay, nor is repayment expected.

The first part of the poem (not written in the characters to the left) suggests that the thread in a loving mother's hands is the shirt of her traveling offspring. Vigorously sewing while wishing them to come back sooner than they left.
...This part is really hard to translate into English that makes any sense but maybe you get the idea. We are talking about a poem that is so old that many Chinese people would have trouble reading it (as if it was the King James Version of Chinese).