For the best possible display, this portrait should be professionally framed.
A frame is not included with this artwork!
36.5cm x 54.5cm ≈ 14¼" x 21½"
Here a stone roller is used to husk this harvest of rice in the very traditional way. You can still find this done in villages around the rice paddies of Southern China.
This painting is by a man named (Cao Quan-Tang).
Cao Quan-Tang passes on his
artistic talents to his son.
Cao Quan-Tang is from a village called "Qindu" in Huxian County of Shaanxi Province in Southern China. He was born in 1957 and has been painting since he was 15 years old. He was a struggling peasant artist until the mid-1980's when a revival of folk art began in China, and his work received many awards and acclaim. Some of his painting have achieved top honors at international art exhibitions.
According to Cao Quan-Tang, his paintings all represent experiences in his life as he grew up surrounding by village life in the middle of China.
The whole Cao family.
The artist used "shui fen" (paint powder and water - similar to gouache), on thick paper to create this painting.
If you get a piece of mat board cut for you, this Chinese painting will fit nicely in a standard 18" x 24" frame. If you want really wide matting, you could even use a 22" x 28" standard picture frame. You should probably get the matting cut professionally, but you can probably handle the rest yourself. Please see our step by step guide to framing Asian art if you want some tips.
This style of folk art was born in the 1950's just after the Revolution (when Chairman Mao took power). The art developed independently in Huxian (Hu County) in the Shaanxi Province for many years (the same Province where you will find the Terracotta Soldiers).
Things changed drastically when the Cultural Revolution came to pass in China. Within a few years, art was only acceptable if it portrayed some form of socialist propaganda, or showed some form of working together in pursuit of Mao's Communist ideals. This propaganda art seldom provided any pay for the artist who were instead forced into working hard in the fields as peasants on communal farms to survive.
As the last of the Cultural Revolution sputtered to a stop with the death of Chairman Mao in 1976, freedom began to slowly ring again when Deng Xiao-Ping took power. Deng Xiao-Ping brought China out of the dark ages, and away from "Maoism" and Communism (one of the greatest leaders in Chinese history in my humble opinion). By the 1980's, freedom to once again practice 3000 years of artistic tradition emerged. Chinese folk art was finally allowed to be what it was meant to be, a way to freely express various scenes of daily life and snapshots of Chinese village culture.
According to Chinese Government statistics, there are now more than 2000 folk artists in Southern China. Sixteen of these artists have been recognized as the "Famous Masters" of Chinese folk art by the Chinese Cultural Arts Bureau. These sixteen artists were recently honored by China Post with the issuing of a set of commemorative postage stamps. Of these sixteen masters, we represent three of them: Pan Xiao-Ling, Cao Quan-Tang, and Zhang Qing-Yi.
A lot has changed in the folk art community of China since I first started selling these paintings about 4 years ago.
Chinese folk artists have become rather famous, and sought after for exhibitions around the world. Recently these artists formed a labor union of sorts, to ensure that they receive a handsome sum for all of their paintings. Most of them have been able to improve their station in life through the sale of their artwork. One of these artists once said, "We've become good little capitalists, just like President Nixon dreamed of".
On my last trip to buy more Chinese folk art,
Cao Quan-Tang gave me this signed special-edition
envelope with his commemorative stamp attached.
This item was listed or modified
Oct 11th, 2017
Gary's random little things about China:
Parking your car on the sidewalk is legal in most places in China. I am talking fully on the sidewalk, and fully blocking the sidewalk, so that nobody can walk there at all. After all, there is a perfectly good roadway for pedestrians and cars to share just past the edge of the sidewalk - right?
In many urban areas, there is a sidewalk parking attendant who will ensure that you park in such a way that no one can use the sidewalk at all. They will also charge a fee of 2 Yuan (26 cents) for up to a full day of sidewalk parking privileges.
The green light means "go". The Yellow light means "20 more cars should enter the intersection". The red light means "5 more cars enter the intersection and become a nuisance to pedestrians trying to cross the street".
Actually, the green light means "Try to go, but you'll probably have to wait for the yellow or red light before you get your chance".
If you get in a car accident, it's best to argue briefly with the other driver, and then both drive away. When the police get involved, everyone gets fined, and someone might lose their license. The fines are generally higher than what it will cost to fix your car, so hanging around to exchange insurance information is rare in minor fender-benders.
If your car is too damaged to drive away, you are screwed. The police own and operate all of the tow trucks in most Chinese cities. You will be fined, charged for towing, charged an impound fee, and may lose your license.
On long stretches of highway, police checkpoints are occasionally set up. They may be stopping drivers and summarily fining them for wearing sunglasses or talking on a mobile phone while driving. However, in the next stretch of highway, another police checkpoint may be issuing fines for driving without sunglasses.
Under certain circumstances, and if you are really unlucky, drivers who get in injury accidents while drunk may be executed. If you are caught drinking and driving just once, you will be fined, and will probably lose your drivers license for the rest of your life.
Thus, drunk driving has become very rare in China.