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<...1011121314151617181920...>| Characters | Pronunciation Romanization |
Simple Dictionary Definition |
ひな型 see styles |
hinagata ひながた |
(1) model; miniature; pattern; (2) sample; specimen; (3) prescribed form |
ひな形 see styles |
hinagata ひながた |
(1) model; miniature; pattern; (2) sample; specimen; (3) prescribed form |
プーリ see styles |
puuri / puri プーリ |
(1) pulley; (2) puli; (place-name) Pulj (Slovenian form of Pula) (Croatia) |
ます目 see styles |
masume ますめ |
(1) measure; (2) square (e.g. of graph paper or Japanese manuscript paper); (3) box (e.g. on a form) |
ものか see styles |
monoka ものか |
(particle) (masculine speech) used to create a form of question indicating that the speaker actually believes the opposite is true; emphasizes a determination not to do something, e.g. "Like hell I will!" |
もんか see styles |
monka モンカ |
(particle) (masculine speech) used to create a form of question indicating that the speaker actually believes the opposite is true; emphasizes a determination not to do something, e.g. "Like hell I will!"; (personal name) Monca |
や否や see styles |
yainaya やいなや |
(expression) (1) (after the dictionary form of a verb) the minute (that) ...; no sooner than ...; as soon as; (expression) (2) whether or not |
よりも see styles |
yorimo よりも |
(expression) (1) (emphatic form of より) (See より・1) than; in comparison to; (expression) (2) rather than; over; above |
らしい see styles |
rashi ラシィ |
(adj-i,aux-adj) (1) (after the plain form of a verb or adjective, or a noun; expresses judgement based on evidence, reason or trustworthy hearsay) seeming ...; appearing ...; (suf,adj-i) (2) (after a noun, adverb or adj. stem) -ish; like a ...; typical of ...; appropriate for ...; becoming of ...; worthy of the name ...; (personal name) Lathi |
られる see styles |
rareru られる |
(aux-v,v1) (1) indicates passive voice (incl. the "suffering passive"); (2) indicates the potential form; (3) indicates spontaneous occurrence; (4) (honorific or respectful language) used as an honorific for others' actions |
一下兒 一下儿 see styles |
yī xià r yi1 xia4 r5 i hsia r |
erhua form of 一下[yi1 xia4] |
一合相 see styles |
yī hé xiàng yi1 he2 xiang4 i ho hsiang ichigō sō |
An organism, a cosmos, or any combined form, e.g. a man, a world. |
一字兒 一字儿 see styles |
yī zì r yi1 zi4 r5 i tzu r |
erhua form of 一字[yi1 zi4] |
一形式 see styles |
itsukeishiki; ichikeishiki / itsukeshiki; ichikeshiki いつけいしき; いちけいしき |
one form (of); a form of |
一形態 see styles |
itsukeitai; ichikeitai / itsuketai; ichiketai いつけいたい; いちけいたい |
one form (of); a form of |
一把手 see styles |
yī bǎ shǒu yi1 ba3 shou3 i pa shou |
working hand; member of a work team; participant; the boss (short form of 第一把手[di4 yi1 ba3 shou3]) |
七種捨 七种舍 see styles |
qī zhǒng shě qi1 zhong3 she3 ch`i chung she chi chung she shichishu sha |
Seven abandonments or riddances―cherishing none and nothing, no relations with others, riddance of love and hate, of anxiety about the salvation of others, of form, giving to others (e.g. supererogation), benefiting others without hope of return. Another form is―cherishing nothing, riddance of love and hate, of desire, anger, etc., of anxiety about, etc., as above. |
三つ巴 see styles |
mitsudomoe みつどもえ |
(1) 3 fat-comma shapes arranged to form a circle; (2) (abbreviation) 3-way struggle (wrestling, etc.) |
三三昧 see styles |
sān sān mèi san1 san1 mei4 san san mei san zanmai |
(三三昧地) The three samādhis, or the samādhi on three subjects; 三三摩 (三三摩地); 三定, 三等持; 三空; 三治; 三解脫門; 三重三昧; 三重等持. There are two forms of such meditation, that of 有漏 reincarnational, or temporal, called 三三昧; and that of 無 漏 liberation, or nirvāṇa, called 三解脫. The three subjects and objects of the meditation are (1) 空 to empty the mind of the ideas of me and mine and suffering, which are unreal; (2) 無相to get rid of the idea of form, or externals, i.e. the 十相 which are the five senses, and male and female, and the three 有; (3) 無願 to get rid of all wish or desire, also termed無作 and 無起. A more advanced meditation is called the Double Three Samādhi 重三三昧 in which each term is doubled 空空, 無相無相, 無願無願. The esoteric sect has also a group of its own. |
三無性 三无性 see styles |
sān wú xìng san1 wu2 xing4 san wu hsing san mushō |
The three things without a nature or separate existence of their own: (a) 相無性 form, appearance or seeming, is unreal, e.g. a rope appearing like a snake; (b) 生無性 life ditto, for it is like the rope, which is derived from constituent materials; (c) 勝義無性 the 勝義, concept of the 眞如 or bhūtatathatā, is unreal, e.g. the hemp of which the rope is made; the bhūtatathatā is perfect and eternal. Every representation of it is abstract and unreal. The three are also known as 相無性, 無自然性, 法無性; v. 唯識論 9. |
三眞如 see styles |
sān zhēn rú san1 zhen1 ru2 san chen ju san shinnyo |
Three aspects of the bhūtatathatā, implying that it is above the limitations of form, creation, or a soul. (1) (a) 無相眞如 without form; (b) 無生眞如 without creation; (c) 無性眞如 without anything that can be called a nature for comparison; e.g. chaos, or primal matter. (2) (a) 善法眞如 The bhūtatathatā as good; (b) 不善法眞如 as evil; (c) 無記法眞如 as neutral, or neither good nor evil. |
三種色 三种色 see styles |
sān zhǒng sè san1 zhong3 se4 san chung se sanshu shiki |
Three kinds of rūpa, i.e. appearance or object: (1) (a) visible objects; (b) invisible objects, e.g. sound; (c) invisible, immaterial, or abstract objects. (2) (a) colour, (b) shape, (c) quality. |
上界天 see styles |
shàng jiè tiān shang4 jie4 tian1 shang chieh t`ien shang chieh tien jōkai ten |
The devas of the regions of form and formlessness. v. 色. |
下さい see styles |
kudasai ください |
(expression) (1) (kana only) (honorific or respectful language) (irregular imperative of くださる) (See くださる・1) please (give me); (expression) (2) (kana only) (honorific or respectful language) (after te-form of a verb or a noun prefixed with o- or go-) please (do for me) |
下しあ see styles |
kudashia くだしあ |
(expression) (1) (kana only) (net-sl) (See ください・1) please (give me); (expression) (2) (kana only) (net-sl) (after te-form of a verb or a noun prefixed with o- or go-) please (do for me) |
下りる see styles |
oriru おりる |
(v1,vi) (1) to descend (e.g. a mountain); to go down; to come down; (2) to alight (e.g. from bus); to get off; to disembark; to dismount; (3) to step down; to retire; to give up; to quit; (4) to be granted; to be issued; to be given; (5) to form (of frost, dew, mist, etc.); (6) to be passed (from the body; e.g. of a roundworm) |
不住色 see styles |
bù zhù sè bu4 zhu4 se4 pu chu se fujūshiki |
not abiding in form |
不体裁 see styles |
futeisai / futesai ふていさい |
(noun or adjectival noun) bad form or manners; indecency; impropriety |
不兒道 不儿道 see styles |
bū r dào bu1 r5 dao4 pu r tao |
(dialect) contracted form of 不知道[bu4 zhi1 dao4] |
不動佛 不动佛 see styles |
bù dòng fó bu4 dong4 fo2 pu tung fo Fudō Butsu |
不動如來; 阿閦鞞 or 阿閦婆, Akṣobhya, one of the 五智如來 Five Wisdom, or Dhyāni-Buddhas, viz., Vairocana, Akṣobhya, Ratnasambhava, Amitābha, and Amoghasiddhi. He is especially worshipped by the Shingon sect, as a disciple of Vairocana. As Amitābha is Buddha in the western heavens, so Akṣobhya is Buddha in the eastern heaven of Abhirati, the realm of joy, hence he is styled 善快 or 妙喜, also 無瞋恚 free from anger. His cult has existed since the Han dynasty, see the Akṣobhya-Tathāgatasya-vyūha. He is first mentioned in the prajnapāramitā sutra, then in the Lotus, where he is the first of the sixteen sons of Mahābhijñā-jñānabhibhu. His dhyāni-bodhisattva is Vajrapāṇi. His appearance is variously described, but he generally sits on a lotus, feet crossed, soles upward, left hand closed holding robe, right hand fingers extended touching ground calling it as color is pale gold, some say blue a vajra is before him. His esoteric word is Hum; his element the air, his human form Kanakamuni, v. 拘. Jap. Ashuku, Fudo, and Mudo; Tib. mi-bskyod-pa, mi-'khrugs-pa (mintug-pa); Mong. Ülü küdelükci. v. 不動明王. |
不如帰 see styles |
fujoki ふじょき |
(form) (See ホトトギス) lesser cuckoo (Cuculus poliocephalus) |
不還向 不还向 see styles |
bù huán xiàng bu4 huan2 xiang4 pu huan hsiang fu genkō |
The third of the 四向 four directions or aims, see 阿那含 anāgāmin, not returning to the desire-world, but rising above it to the 色界 or the 無色界 form-realm, or even formless realm. |
中止形 see styles |
chuushikei / chushike ちゅうしけい |
{gramm} continuative form when used as a conjunction |
中止法 see styles |
chuushihou / chushiho ちゅうしほう |
{gramm} (e.g. 沈み in 日が沈み、月が昇る) (See 連用形) use of the continuative form as a conjunction (in Japanese) |
中間部 see styles |
chuukanbu / chukanbu ちゅうかんぶ |
{music} middle section (of a composition in ternary form); trio |
九方便 see styles |
jiǔ fāng biàn jiu3 fang1 bian4 chiu fang pien ku hōben |
The nine suitable stages in religious service; cf. 大日經, 7; 作禮 salutation to the universal Triratna; 出罪 repentance and confession; 歸依 trust (in the Triratna); 施身 giving of self (to the Tathāgata); 發菩提心 vowing to devote the mind to bodhi; 隨喜 rejoicing (in all good); 勸請 beseeching (all Tathāgatas to rain down the saving law); 奉請法身 praying for the Buddha-nature in self and others for entry in the Pure Land; 迴向 demitting the good produced by the above eight methods, to others, universally, past, present, and future. This form of service is generally performed before engaging in esoteric observances. The verses in which these nine stages are presented are of a commendably devotional character. |
九類生 九类生 see styles |
jiǔ lèi shēng jiu3 lei4 sheng1 chiu lei sheng kurui shō |
The nine kinds of birth; the four from the womb, egg, moisture, transformation are common to devas, earth, and the hells; the five others are birth into the heavens of form, of non-form, of thought, of non-thought, and of neither (i.e. beyond either). |
二口女 see styles |
futakuchionna ふたくちおんな |
futakuchi-onna; two-mouthed woman; folklore monster that takes the form of a woman with an additional mouth on the back of her head, hidden underneath her hair |
二次型 see styles |
èr cì xíng er4 ci4 xing2 erh tz`u hsing erh tzu hsing |
quadratic form (math.) |
二色身 see styles |
èr sè shēn er4 se4 shen1 erh se shen ni shikishin |
The two rūpakāya or incantation-bodies of a Buddha, his 報身 and 應身 or saṁbhogakāya and nirmāṇakāya, as distinguished from 法身 the dharmakāya. |
五住地 see styles |
wǔ zhù dì wu3 zhu4 di4 wu chu ti go jūji |
(五住) The five fundamental condition of 煩惱 the passions and delusions: wrong views which are common to the trailokya; clinging, or attachment, in the desire-realm; clinging, or attachment, in the form-realm; clinging, or attachment, in the formless realm which is still mortal: the state of unenlightenment or ignorance in the trailokya 三界 which is the root-cause of all distressful delusion, Also 五住地惑. |
五神通 see styles |
wǔ shén tōng wu3 shen2 tong1 wu shen t`ung wu shen tung go jinzū |
(or 五神變) pañcabhijñā; also 五通 (力) the five supernatural powers. (1 ) 天眼通 (天眼智證通) divyacakṣus ; deva-vision, instantaneous view of anything anywhere in the form-realm. (2) 天耳通 (天耳智證通) divyaśrotra, ability to hear any sound anywhere. (3) 他心通 (他心智證通) paracitta-jñāna, ability to know the thoughts of all other minds. (4) 宿命通 (宿命智證通) pūrvanivāsānusmṛti-jñāna, knowledge of all formed existences of self and others. (5) 神通 (神通智證通) 通; 神足通; 神如意通 ṛddhi-sākṣātkriyā, power to be anywhere or do anything at will. See 智度論 5. Powers similar to these are also attainable by meditation, incantations, and drugs, hence heterodox teachers also may possess them. |
五類天 五类天 see styles |
wǔ lèi tiān wu3 lei4 tian1 wu lei t`ien wu lei tien gorui ten |
The five kinds of devas: (1) 上界天 in the upper realms of form and non-form; (2) 虛空天 in the sky, i. e. four of the six devas of the desire-realm; (3) 地居天 on the earth, i. e. the other two of the six devas, on Sumeru; (4) 遊虛天空 wandering devas of the sky, e. g. sun, moon, starvas, (5) 地下天 under-world devas, e. g. nāgas, asuras, māras, etc. Of. 五大明王. |
人っ子 see styles |
hitokko ひとっこ |
(emphatic form of 人) (See 人・ひと・1) person; man |
人文字 see styles |
hitomoji ひともじ |
arranging a group of people so as to form a character or spell out a message |
什麼事 什么事 see styles |
shén me shì shen2 me5 shi4 shen me shih |
What's up?; Is something the matter?; (coll.) (used in rhetorical questions of the form 關|关[guan1] + {person} + 什麼事|什么事[shen2 me5 shi4] "what business is it of {person}'s?; what's it to {person}?") |
今様歌 see styles |
imayouuta / imayouta いまよううた |
verse form from the Heian and Kamakura periods consisting of 4 lines each divided into two parts of 7 and 5 syllables |
仮定形 see styles |
kateikei / kateke かていけい |
{gramm} (See 已然形・いぜんけい) hypothetical form (of verbs and adjectives in modern Japanese); conditional form |
伊舍那 see styles |
yī shèn à yi1 shen4 a4 i shen a izana |
(伊舍那天) Iiśāna; 伊邪那 (or 伊賒那); v. 伊沙 'one of the older names of Siva-Rudra; one of the Rudras; the sun as a form of Śiva, ' M. W. Maheśvara; the deva of the sixth desire-heaven; head of the external Vajra-hall of the Vajradhātu group; Siva with his three fierce eyes and tusks. |
伺い書 see styles |
ukagaisho うかがいしょ |
request form |
Variations: |
tei / te てい |
appearance; air; condition; state; form |
作法懺 作法忏 see styles |
zuò fǎ chàn zuo4 fa3 chan4 tso fa ch`an tso fa chan sahō sen |
(作法懺悔) One of the three kinds of monastic confession and repentance. |
使役形 see styles |
shiekikei / shiekike しえきけい |
{gramm} causative form |
係結び see styles |
kakarimusubi かかりむすび |
(linguistics terminology) connection; relation; linked form; bounded form |
俗體字 俗体字 see styles |
sú tǐ zì su2 ti3 zi4 su t`i tzu su ti tzu |
nonstandard form of a Chinese character |
俵責め see styles |
tawarazeme たわらぜめ |
(hist) Edo-period form of torture in which criminals were stuffed into straw bags with their heads exposed, piled together, and whipped (commonly used on Christians) |
傻爆眼 see styles |
shǎ bào yǎn sha3 bao4 yan3 sha pao yen |
(slang) stunned; flabbergasted (emphatic form of 傻眼[sha3 yan3]) |
像想觀 像想观 see styles |
xiàng xiǎng guān xiang4 xiang3 guan1 hsiang hsiang kuan zōsō kan |
meditation on Amitâbha's true form |
僻する see styles |
hekisuru へきする |
(vs-s,vi) (1) (form) to lean to one side; (vs-s,vi) (2) (form) to be warped |
光棍兒 光棍儿 see styles |
guāng gùn r guang1 gun4 r5 kuang kun r |
bachelor; single man (erhua form of 光棍[guang1 gun4]) |
八つ頭 see styles |
yatsugashira やつがしら |
form of taro; yam |
八解脫 八解脱 see styles |
bā jiě tuō ba1 jie3 tuo1 pa chieh t`o pa chieh to hachi gedatsu |
aṣṭa-vimokṣa, mokṣa, vimukti, mukti. Liberation, deliverance, freedom, emancipation, escape, release―in eight forms; also 八背捨 and cf. 解脫 and 八勝處. The eight are stages of mental concentration: (1) 内有色想觀外色解脱 Liberation, when subjective desire arises, by examination of the object, or of all things and realization of their filthiness. (2) 内無色想觀外色解脫 Liberation, when no subjective desire arises, by still meditating as above. These two are deliverance by meditation on impurity, the next on purity. (3) 淨身作證具足住解脫 Liberation by concentration on the pure to the realization of a permanent state of freedom from all desire. The above three "correspond to the four Dhyānas". (Eitel.) (4) 空無邊處解脫 Liberation in realization of the infinity of space, or the immaterial. (5) 識無邊處解脫 Liberation in realization of infinite knowledge. (6) 無所有處解脫Liberation in realization of nothingness, or nowhereness. (7) 非想非非想處解脫 Liberation in the state of mind where there is neither thought nor absence of thought. These four arise out of abstract meditation in regard to desire and form, and are associated with the 四空天. (8) 滅受 想定解脫 Liberation by means of a state of mind in which there is final extinction, nirvāṇa, of both sensation, vedanā, and consciousness, saṁjñā. |
六和敬 see styles |
liù hé jìng liu4 he2 jing4 liu ho ching roku wakyō |
(六和) The six points of reverent harmony or unity in a monastery or convent: 身 bodily unity in form of worship, 口 oral unity in chanting, 意 mental unity in faith, 戒 moral unity in observing the commandments, 見 doctrinal unity in views and explanations, and 利, 行, 學, or 施 economic unity in community of goods, deeds, studies, or charity. |
共和制 see styles |
gòng hé zhì gong4 he2 zhi4 kung ho chih kyouwasei / kyowase きょうわせい |
republic republican form of government; republicanism |
其れ処 see styles |
soredokoro それどころ |
(exp,adj-no) (kana only) (usu. before a verb in negative form) (not) so much; (not) that much |
具体化 see styles |
gutaika ぐたいか |
(n,vs,vt,vi) embodiment; materialization; actualization; realization; taking form; taking shape |
内容美 see styles |
naiyoubi / naiyobi ないようび |
(See 形式美) beauty of content (as opposed to form); substantial beauty |
冊子体 see styles |
sasshitai さっしたい |
bound form (of a magazine or book; as opposed to a single sheet, scroll, etc.) |
冥加金 see styles |
myougakin / myogakin みょうがきん |
(1) monetary offering (to a temple or shrine); (2) (hist) form of Edo-period business tax |
切り金 see styles |
kirikane きりかね |
(1) metallic foil cut into strips or other shapes to form decorative motifs; (2) cutting a thin sheet of metal into shapes and affixing it with lacquer forming natural features (e.g. clouds) |
加持身 see styles |
jiā chí shēn jia1 chi2 shen1 chia ch`ih shen chia chih shen kajishin かじしん |
(1) {Buddh} buddha-body within a practitioner (esoteric Buddhism); (2) (See 本地身) altruistic manifested form of Mahavairocana (New Shingon) The body which the Buddha depends upon or his manifestation, i. e. the nirmāṇakāya. |
化ける see styles |
bakeru ばける |
(v1,vi) (1) to take the form of (esp. in ref. to a spirit, fox, raccoon dog, etc.); to assume the shape of; to turn oneself into; to transform oneself into; (v1,vi) (2) to disguise oneself (as); (v1,vi) (3) to change (into); to transform; to metamorphose; (v1,vi) (4) to change radically (for the better); to transform; to improve dramatically and unexpectedly (e.g. of an actor, sportsperson, stock price); to make a complete turnaround |
十一色 see styles |
shí yī sè shi2 yi1 se4 shih i se jūisshiki |
eleven form (dharmas) |
十七天 see styles |
shí qī tiān shi2 qi1 tian1 shih ch`i t`ien shih chi tien jūshichiten |
seventeen dhyāna heavens of the form realm |
十八天 see styles |
shí bā tiān shi2 ba1 tian1 shih pa t`ien shih pa tien jūhachi ten |
Brahmaloka, the eighteen heavens of form, rūpadhātu, three of the first dhyāna, 梵衆天; 梵輔天; 大梵天; three of the second, 少光天; 無量光天; 光音; three of the third, 少淨天; 無量淨天; 徧淨天; and nine of the fourth, 無雲天; 福生天; 廣果天; 無想天; 無煩天; 無熱天; 善見天; 善現,天; 色究竟天 ."Southern Buddhism knows only sixteen. Those two which Northern Buddhists added are Punya-prasava 福生 and Anabhraka 無雲." Eitel. |
十如是 see styles |
shí rú shì shi2 ru2 shi4 shih ju shih juunyoze / junyoze じゅうにょぜ |
{Buddh} ten thusnesses (in Tendai) The ten essential qualities, or characteristics, of thing, according to the 方便chapter of the Lotus sūtra: 相如是 form; 性如是 nature; 體如是 corpus or embodiment; 力如是 powers; 作如是 function; 因如是 primary cause; 果如是 environmental cause; 果如是 effect; 報如是 karmic reward; 本末究竟等 the inseparability, or inevitability of them all. |
半棒術 see styles |
hanboujutsu / hanbojutsu はんぼうじゅつ |
form of martial art using a short cane staff |
卒する see styles |
sossuru; shussuru そっする; しゅっする |
(vs-s,vi) (form) to die; to pass away |
単数型 see styles |
tansuukei / tansuke たんすうけい |
singular form |
単数形 see styles |
tansuukei / tansuke たんすうけい |
singular form (of a noun) |
占戌拏 占戌拿 see styles |
zhàn xūn á zhan4 xun1 a2 chan hsün a Senjutsuna |
Tchañśuṇa' is the highly doubtful form given by Eitel, who describes it as the ancient capital of Vrji, an ' ancient kingdom N. of the Ganges, S. E. of Nepaul'. |
卽空觀 卽空观 see styles |
jí kōng guān ji2 kong1 guan1 chi k`ung kuan chi kung kuan sokkū kan |
realizing emptiness by contemplation of form |
卽色宗 see styles |
jí sè zōng ji2 se4 zong1 chi se tsung sokushiki shū |
school [propounding] identity with material form |
原子堆 see styles |
yuán zǐ duī yuan2 zi3 dui1 yüan tzu tui |
atomic pile (original form of nuclear reactor) |
反文旁 see styles |
fǎn wén páng fan3 wen2 pang2 fan wen p`ang fan wen pang |
(colloquial) grapheme 攵 (variant form of Kangxi radical 66, 攴) |
取れる see styles |
toreru とれる |
(v1,vi) (1) to come off (of a button, handle, lid, etc.); (v1,vi) (2) to go away (of a fever, pain, swelling, etc.); to disappear; to come out (of a stain); to come off (e.g. of dust); to be removed (e.g. of wrinkles); (v1,vi) (3) to be harvested; to be picked; to be produced; to be caught (of fish); to be obtained; to be extracted; (v1,vi) (4) to be interpreted (as); to be taken (as); to be understood (as); to be read (as); (v1,vi) (5) to be attained (of balance, harmony, etc.); to be achieved; (v1,vi,vt) (6) (potential form of 取る) (See 取る・1) to be able to get; to be able to obtain; to be able to secure; to be able to win; to be able to catch |
受身形 see styles |
ukemikei / ukemike うけみけい |
{ling} passive voice; passive form |
口語形 see styles |
kougokei / kogoke こうごけい |
{gramm} (See 文語形) word form used in vernacular language (as opposed to classical language) |
口語文 see styles |
kougobun / kogobun こうごぶん |
(See 文語文) colloquial writing; text written in a spoken form of the language |
古體詩 古体诗 see styles |
gǔ tǐ shī gu3 ti3 shi1 ku t`i shih ku ti shih |
a pre-Tang Dynasty genre of poetry, relatively free in form, usually having four, five, six or seven characters per line |
可能形 see styles |
kanoukei / kanoke かのうけい |
{gramm} potential form |
吉左右 see styles |
kichizou / kichizo きちぞう |
(1) (form) good news; favourable information; (2) (form) news on whether or not something went well; (given name) Kichizou |
吉槃荼 see styles |
jí pán tú ji2 pan2 tu2 chi p`an t`u chi pan tu kihanda |
kumbhāṇḍas, demons of monstrous form, idem 鳩盤荼. |
同意書 see styles |
douisho / doisho どういしょ |
consent form; letter of consent |
名牌兒 名牌儿 see styles |
míng pái r ming2 pai2 r5 ming p`ai r ming pai r |
erhua form of 名牌[ming2 pai2] |
名色位 see styles |
míng sè wèi ming2 se4 wei4 ming se wei myōshiki i |
[five] stages of name-and-form |
否定形 see styles |
hiteikei / hiteke ひていけい |
negative form |
呉れる see styles |
kureru くれる |
(v1-s,vt) (1) (kana only) (the receiver is the speaker or someone close to the speaker) (See あげる・18) to give; to let (one) have; (v1-s,vt) (2) (kana only) (often as くれてやる; shows mild disdain for the receiver) (See くれてやる) to give; (aux-v,v1-s) (3) (kana only) (after the -te form of a verb) to do for one; to take the trouble to do; (aux-v,v1-s) (4) (kana only) (after the -te form of a verb) to do to someone's disadvantage |
命令形 see styles |
meireikei / mereke めいれいけい |
{gramm} imperative form; command |
和伽羅 和伽罗 see styles |
hé qié luó he2 qie2 luo2 ho ch`ieh lo ho chieh lo wagara |
(和伽羅那); 和伽那; 和羅那 vyākaraṇa, grammar, analysis, change of form; intp. as 授記 prediction, i. e. by the Buddha of the future felicity and realm of a disciple, hence Kauṇḍinya is known as Vyākaraṇa-Kauṇḍinya. |
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
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This page contains 100 results for "form" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
This dictionary uses the EDICT and CC-CEDICT dictionary files.
EDICT data is the property of the Electronic Dictionary Research and Development Group, and is used in conformance with the Group's
license.
Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.
Just because a word appears here does not mean it is appropriate for a tattoo, your business name, etc. Please consult a professional before doing anything stupid with this data.
We do offer Chinese and Japanese Tattoo Services. We'll also be happy to help you translate something for other purposes.
No warranty as to the correctness, potential vulgarity, or clarity is expressed or implied. We did not write any of these definitions (though we occasionally act as a contributor/editor to the CC-CEDICT project). You are using this dictionary for free, and you get what you pay for.
The following titles are just to help people who are searching for an Asian dictionary to find this page.