Free Chinese & Japanese Online Dictionary

If you enter English words, search is Boolean mode:
Enter fall to get just entries with fall in them.
Enter fall* to get results including "falling" and "fallen".
Enter +fall -season -autumn to make sure fall is included, but not entries with autumn or season.

Key:

Mandarin Chinese information.
Old Wade-Giles romanization used only in Taiwan.
Japanese information.
Buddhist definition. Note: May not apply to all sects.
 Definition may be different outside of Buddhism.

There are 3052 total results for your form search in the dictionary. I have created 31 pages of results for you. Each page contains 100 results...

<12345678910...>
Characters Pronunciation
Romanization
Simple Dictionary Definition


see styles

    ji3
chi
(bound form) fish of genus Girella


鱿

see styles
yóu
    you2
yu
(bound form) squid


see styles

    ba4
pa
(bound form) Spanish mackerel


see styles
mán
    man2
man
 unagi
    うなぎ
(bound form) eel (Anguilla japonica)
(kana only) eel (esp. the Japanese eel, Anguilla japonica); (surname) Unagi


see styles
è
    e4
o
(bound form) alligator; crocodile


see styles

    qu2
ch`ü
    chü
(bound form, used in the names of various kinds of bird, esp. robins and redstarts)


see styles

    wu2
wu
(bound form) bunting (bird of genus Emberiza); also pr. [wu1]


see styles

    hu4
hu
(bound form) bird of the Procellariidae family, which includes shearwaters, gadfly petrels etc


see styles
yīng
    ying1
ying
 yō
(bound form) parrot
śuka; a parrot 鸚鵡.

see styles
àn
    an4
an
(bound form) dark; dull (color); dim; gloomy


齿

see styles
chǐ
    chi3
ch`ih
    chih
 ha
    は
(bound form) tooth; (bound form) to regard as worthy of mention
(out-dated kanji) tooth
The teeth, especially the front and upper teeth; toothed, serrated; age, class.


see styles
páng
    pang2
p`ang
    pang
(bound form) huge; (bound form) numerous and disordered; (bound form) face


see styles
kān
    kan1
k`an
    kan
 gan
    がん
(bound form) niche; shrine
(1) niche for a Buddhist image; alcove; (2) (See 厨子・1) miniature shrine for a Buddhist image; (3) portable shrine used to move a deceased person from their house to the graveyard (in Okinawa)
A shrine; a cabinet, box; a coffin (for a monk); to contain.

ES

see styles
 ii esu; iiesu(sk) / i esu; iesu(sk)
    イー・エス; イーエス(sk)
(1) (See エントリーシート) job application form; (2) employee satisfaction

F1

see styles
 efuwan
    エフワン
Formula One (form of motor racing); F1

HR

see styles
 eichi aaru; ecchi aaru(sk); eichiaaru(sk); ecchiaaru(sk) / echi aru; ecchi aru(sk); echiaru(sk); ecchiaru(sk)
    エイチ・アール; エッチ・アール(sk); エイチアール(sk); エッチアール(sk)
(1) (See ホームルーム) homeroom; form room; form class; (2) {baseb} (See ホームラン) home run; (3) (See ヒューマンリソース) human resources; HR; (4) heart rate; (5) house of representatives

カ行

see styles
 gagyou / gagyo
    ガぎょう
classification for Japanese verb with the dictionary form ending in "gu"; "ga" column or row of the kana syllabary

こそ

see styles
 koso
    こそ
(particle) (1) (emphasizes preceding word or phrase) it is ... that ...; precisely; in particular; definitely; for sure; only (when, after, because, etc.); (particle) (2) (as こそあれ, こそすれ, こそするが, etc.) although; while; it is the case that ... but; (particle) (3) (after conditional -ba form of verb) it is precisely because ... that ...; only because ...; (particle) (4) (form) (after -nai stem of verb + ば) not at all; not in the slightest; absolutely not; never

サ行

see styles
 zagyou / zagyo
    ザぎょう
classification for Japanese verb with the dictionary form ending in "zu"; "za" column or row of the kana syllabary

して

see styles
 jide
    ジデ
(particle) (1) (See からして・1,として・1,にして・1) by (indicating means of action); as (a group, etc.); (particle) (2) (as 〜をして in modern Japanese) indicates the agent in a causative construction; (prt,conj) (3) (after the ren'youkei form of an adjective or the auxiliary verb ず) acts as a connective indicating a state or condition; (prt,adv) (4) (after an adverb or particle) adds emphasis; (conjunction) (5) (dated) and; so; then; (place-name) Cide

〆る

see styles
 shimeru
    しめる
(aux-v,v1) (1) (form) auxiliary verb indicating the causative voice; (aux-v,v1) (2) (form) auxiliary verb indicating the permissive voice; (aux-v,v1) (3) (honorific or respectful language) (form) (when used together with other honorific auxiliaries) auxiliary verb strengthening the honorific notion

せず

see styles
 sesu
    セス
(expression) (form) (neg. continuative form of する) (See せずに) without doing; (personal name) Saisse; Seth

たし

see styles
 tashi
    タシ
(auxiliary adjective) (form) (after the -masu stem of a verb) (See たい・1) want to ... do something; would like to ...; (female given name) Tashi

たも

see styles
 damo
    だも
(particle) (form) (more emphatic than だに) even

だ体

see styles
 datai
    だたい
(See である体) literary form imparting the nuance of speech (with sentences ending in "da")

タ行

see styles
 dagyou / dagyo
    ダぎょう
classification for Japanese verb with the dictionary form ending in "dzu"; "da" column or row of the kana syllabary

て形

see styles
 tekei / teke
    てけい
(linguistics terminology) -te form (e.g. of a verb)

とて

see styles
 tote
    とて
(particle) (1) (form) even; (particle) (2) (form) even if ...; even though ...; (particle) (3) (form) (oft. as こととて) because ...; as ...; on the grounds that ...; (particle) (4) (form) with the purpose of ...; in order to ...; with a view to ...

ナヨ

see styles
 nayo
    ナヨ
(particle) (1) (colloquialism) (light imperative; after the -masu stem of a verb) (See な・2) do ...; (particle) (2) (masculine speech) (prohibitive; after the plain form of a verb) (See な・1) don't ...; (female given name) Nayo

なり

see styles
 nari
    なり
(particle) (1) or something; for instance ... (though there are other suitable options); (particle) (2) (usu. in the form ...なり...なり) ... or ...; (particle) (3) (after dictionary form verb) as soon as; right after; (particle) (4) (after past tense verb) while still; with previous state still in effect

にて

see styles
 nite
    にて
(particle) (1) (form) (indicates location of action) at; in; (particle) (2) (form) (indicates time of action) at; when; (particle) (3) (form) (indicates means of action) by; with; (conjunction) (4) (form) and then; so

にも

see styles
 nimo
    ニモ
(expression) (1) also; too; not ... either; as well; even; (expression) (2) (after the volitional or dictionary form of verb) (it's not possible) no matter what; although one might wish otherwise; (female given name) Nimo

ヌ行

see styles
 nugyou / nugyo
    ヌぎょう
classification for Japanese verb with the dictionary form ending in "nu"; "na" column or row of the kana syllabary

ハ行

see styles
 pagyou / pagyo
    パぎょう
classification for Japanese verb with the dictionary form ending in "pu"; "pa" column or row of the kana syllabary

まう

see styles
 mau
    マウ
(aux-v,v5u) (osb:) (after the -te form of a verb, indicates completion (and sometimes reluctance, accidentality, regret, etc.)) (See 仕舞う・4) to finish ...; to do ... completely; (place-name) Mau; Mhow (India)

マ行

see styles
 magyou / magyo
    マぎょう
classification for Japanese verb with the dictionary form ending in "mu"; "ma" column or row of the kana syllabary

みそ

see styles
 miso
    みそ
(auxiliary) (colloquialism) (after te form verb) (See 見る・みる・5) go ahead and try; why don't you give it a go?

ラ行

see styles
 ragyou / ragyo
    ラぎょう
classification for Japanese verb with the dictionary form ending in "ru"; "ra" column or row of the kana syllabary

一体

see styles
 ittai
    いったい
(adverb) (1) (before an interrogative; forms an emphatic question) (what) the heck; (why) in the world; (who) on earth; (where) the hell; (how) the hell; (2) one object; one body; one unit; one group; one mass; (3) one form; one style; one format; one fashion; (4) one Buddhist image; one carving; one sculpture; (5) one corpse; one sample (of bones, remains, etc.); (adverb) (6) (also as ~に) (See 一体に) generally; in general; on the whole; by and large; for the most part; (adverb) (7) (dated) strictly speaking; in the first place; originally; to begin with

一斑

see styles
yī bān
    yi1 ban1
i pan
 ippan
    いっぱん
lit. one spot (on the leopard); fig. one small item in a big scheme
(form) (See 全豹) single part (of a whole); one detail; portion; spot

一方

see styles
yī fāng
    yi1 fang1
i fang
 kazutaka
    かずたか
a party (in a contract or legal case); one side; area; region
(1) (honorific or respectful language) one person; (adjectival noun) (2) (often in negative form) ordinary; common; (personal name) Kazutaka
one side

一条

see styles
 takuya
    たくや
(1) one line; one streak; one stripe; one ray (of light); one wisp (of smoke); (2) one item (in an itemized form); one clause; one passage (in a book); (3) one matter (affair, event, case, incident); (surname) Takuya

一業


一业

see styles
yī yè
    yi1 ye4
i yeh
 ichi gō
A karma; a 業困 karma-cause, causative of the next form of existence.

一相

see styles
yī xiàng
    yi1 xiang4
i hsiang
 issō
lakṣana. One aspect, form, or side; ekatva, unity as contrasted with diversity; monism; the bhūtatathatā; the one mind in all things; cf. 一異.

一臂

see styles
 ippi
    いっぴ
(form) a (helping) hand; a little help; some assistance

一色

see styles
yī sè
    yi1 se4
i se
 hitotsuiro
    ひとついろ
(1) one color; (2) one kind; (surname) Hitotsuiro
A colour, the same colour; the same; especially a thing, or a form, v. rūpa 色; minute, trifling, an atom.

一議

see styles
 ichigi
    いちぎ
(1) (form) one discussion; one meeting; one conference; (2) (form) objection

一點


一点

see styles
yī diǎn
    yi1 dian3
i tien
 itten
a bit; a little bit; (used in negative expressions) (not) the least bit; (after an adjective, used to form the comparative) a bit more, -er; a point (in a discussion etc); (calligraphy) dot stroke (、); one o'clock (abbr. for 一點鍾|一点钟[yi1 dian3 zhong1])
a single speck

丁髷

see styles
 chonmage
    ちょんまげ
(1) (kana only) chonmage; topknot hairstyle worn by men in the Edo period; (auxiliary) (2) (kana only) (joc) (after the -te form of a verb; punning form of ちょうだい) (See ちょうだい・3) please do (for me)

七律

see styles
qī lǜ
    qi1 lu:4
ch`i lü
    chi lü
verse form consisting of 8 lines of 7 characters, with rhyme on alternate lines (abbr. for 七言律詩|七言律诗[qi1 yan2 lu : 4 shi1])

三光

see styles
sān guāng
    san1 guang1
san kuang
 miteru
    みてる
the sun, the moon, and the stars
(1) (poetic term) the Sun, the Moon and the stars; (2) {hanaf} three 20-point cards (high-scoring meld); (personal name) Miteru
(三光天) Sun, moon, and stars. Also, in the second dhyāna of the form-world there are the two deva regions 少光天, 無量光天, and 光音天q.v. Also 觀音 Avalokiteśvara is styled 日天子sun-prince, or divine son of the sun, 大勢至 Mahāsthāmaprapta is styled 月天子 divine son of the moon, and 虛空藏菩薩 the bodhisattva of the empyrean, is styled 明星天子 divine son of the bright stars.

三形

see styles
sān xíng
    san1 xing2
san hsing
 sangyō
idem 三昧耶形.

三性

see styles
sān xìng
    san1 xing4
san hsing
 sanshō
The three types of character 善, 惡, 無記 good, bad and undefinable, or neutral; v. 唯識論 5. Also, 徧依圓三性 the three aspects of the nature of a thing— partial, as when a rope is mistaken for a snake; only partly reliable, i.e. incomplete inference, as when it is considered as mere hemp; all around, or perfect, when content, form, etc., are all considered.

三才

see styles
 sanzai
    さんざい
(1) (form) the three powers (heaven, earth and man); (2) (form) everything in the universe; (surname) Sanzai

三有

see styles
sān yǒu
    san1 you3
san yu
 san'u
The three kinds of bhava, or existence; idem 三界 q. v. The three states of mortal existence in the trailokya, i. e. in the realms of desire, of form, and beyond form. Another definition is 現有 present existence, or the present body and mind; 當有 in a future state; 中有 antara-bhava, in the intermediate state. 三有對 The three sets of limitation on freedom: (a) direct resistance or opposition; (b) environment or condition; (c) attachment. 三有爲法 The three active) functioning dharmas: (1) pratigha, matter or form, i. e. that which has ' substantial resistance'; (2) mind; and (3) 非色非心 entities neither of matter nor mind; cf. 七十五法. 三有爲相 The three forms of all phenomena, birth, stay (i. e. 1ife), death; utpāda, sthiti, and nirvana.

三欲

see styles
sān yù
    san1 yu4
san yü
 sanyoku
three lusts, i. e. for 形貌 form, 姿態 carriage or beauty, and 細觸refinement, or softness to the touch.

三界

see styles
sān jiè
    san1 jie4
san chieh
 mikai
    みかい
(1) {Buddh} (See 欲界,色界,無色界) the three realms of existence; (2) (abbreviation) {Buddh} (See 三千大千世界) the whole universe (of a billion worlds) that Buddha enlightened; (3) {Buddh} (See 三世・さんぜ・1) past, present and future existences; (suffix) (4) far-off ...; distant ...; (surname) Mikai
Trailokya or Triloka; the three realms; also 三有. It is the Buddhist metaphysical equivalent for the Brahmanic cosmological bhuvanatraya, or triple world of bhūr, bhuvaḥ, and svar, earth, atmosphere, and heaven. The Buddhist three are 欲, 色, and 無色界, i.e. world of sensuous desire, form, and formless world of pure spirit. (a) 欲界 Kāmadhātu is the realm of sensuous desire, of 婬 and 食 sex and food; it includes the six heavens of desire, the human world, and the hells. (b) 色界 Rūpadhātu is the realm of form, meaning 質礙 that which is substantial and resistant: it is above the lust-world and contains (so to speak) bodies, palaces, things, all mystic and wonderful一a semi-material conception like that in Revelation; it is represented in the 四禪天, or Brahmalokas. (c) 無色界 Arūpadhātu, or ārūpyadhātu, is the formless realm of pure spirit, where there are no bodies, places, things, at any rate none to which human terms would apply, but where the mind dwells in mystic contemplation; its extent is indefinable, but it is, conceived of in four stages, i,e. 四空處 the four "empty" regions, or regions of space in the immaterial world, which are 四無色 the four "formless" realms, or realms beyond form; being above the realm of form, their bounds cannot be defined. v. 倶舍論世間品.

三禪


三禅

see styles
sān chán
    san1 chan2
san ch`an
    san chan
 sanzen
The third dhyāna heaven of form, the highest paradise of form.

三自

see styles
sān zì
    san1 zi4
san tzu
 sanji
abbr. for 三自愛國教會|三自爱国教会[San1 zi4 Ai4 guo2 Jiao4 hui4], Three-Self Patriotic Movement
Three divisions of the eight-fold noble path, the first to the third 自調 self-control, the fourth and fifth 自淨 self-purification, the last three 自度 self-development in the religious life and in wisdom. Also 自體, 自相, 自用 substance, form, and function.

三色

see styles
sān sè
    san1 se4
san se
 sanshoku
    さんしょく
(noun - becomes adjective with の) (1) three colours; three colors; (2) (abbreviation) {mahj} (See 三色同順) triple run; winning hand containing the same chow in each of the three suits; (3) (abbreviation) {mahj} (See 三色同刻) triple pung; winning hand containing the same pung in each of the three suits
The three kinds of rūpa or form-realms: the five organs (of sense), their objects, and invisible perceptions, or ideas. Cf. 三種色.

三身

see styles
sān shēn
    san1 shen1
san shen
 sanmi
    さんみ
{Buddh} trikaya (three bodies of the Buddha); (surname) Sanmi
trikāya. 三寶身 The threefold body or nature of a Buddha, i.e. the 法, 報, and 化身, or dharmakāya, sambhogakāya, and nirmāṇakāya. The three are defined as 自性, 受用, and 變化, the Buddha-body per se, or in its essential nature; his body of bliss, which he "receives" for his own "use" and enjoyment; and his body of transformation, by which he can appear in any form; i.e. spiritual, or essential; glorified; revealed. While the doctrine of the trikāya is a Mahāyāna concept, it partly results from the Hīnayāna idealization of the earthly Buddha with his thirty-two signs, eighty physical marks, clairvoyance, clairaudience, holiness, purity, wisdom, pity, etc. Mahāyāna, however, proceeded to conceive of Buddha as the Universal, the All, with infinity of forms, yet above all our concepts of unity or diversity. To every Buddha Mahāyāna attributed a three-fold body: that of essential Buddha; that of joy or enjoyment of the fruits of his past saving labours; that of power to transform himself at will to any shape for omnipresent salvation of those who need him. The trinity finds different methods of expression, e.g. Vairocana is entitled 法身, the embodiment of the Law, shining everywhere, enlightening all; Locana is 報身; c.f. 三賓, the embodiment of purity and bliss; Śākyamuni is 化身 or Buddha revealed. In the esoteric sect they are 法 Vairocana, 報 Amitābha, and 化 Śākyamuni. The 三賓 are also 法 dharma, 報 saṅgha, 化 buddha. Nevertheless, the three are considered as a trinity, the three being essentially one, each in the other. (1) 法身 Dharmakāya in its earliest conception was that of the body of the dharma, or truth, as preached by Śākyamuni; later it became his mind or soul in contrast with his material body. In Mādhyamika, the dharmakāya was the only reality, i.e. the void, or the immateria1, the ground of all phenomena; in other words, the 眞如 the tathāgatagarbha, the bhūtatathatā. According to the Huayan (Kegon) School it is the 理or noumenon, while the other two are氣or phenomenal aspects. "For the Vijñānavāda... the body of the law as highest reality is the void intelligence, whose infection (saṃkleҫa) results in the process of birth and death, whilst its purification brings about Nirvāṇa, or its restoration to its primitive transparence" (Keith). The "body of the law is the true reality of everything". Nevertheless, in Mahāyāna every Buddha has his own 法身; e.g. in the dharmakāya aspect we have the designation Amitābha, who in his saṃbhogakāya aspect is styled Amitāyus. (2) 報身Sambhogakāya, a Buddha's reward body, or body of enjoyment of the merits he attained as a bodhisattva; in other words, a Buddha in glory in his heaven. This is the form of Buddha as an object of worship. It is defined in two aspects, (a) 自受用身 for his own bliss, and (b) 他受用身 for the sake of others, revealing himself in his glory to bodhisattvas, enlightening and inspiring them. By wisdom a Buddha's dharmakāya is attained, by bodhisattva-merits his saṃbhogakāya. Not only has every Buddha all the three bodies or aspects, but as all men are of the same essence, or nature, as Buddhas, they are therefore potential Buddhas and are in and of the trikāya. Moreover, trikāya is not divided, for a Buddha in his 化身 is still one with his 法身 and 報身, all three bodies being co-existent. (3) 化身; 應身; 應化身 nirmāṇakāya, a Buddha's transformation, or miraculous body, in which he appears at will and in any form outside his heaven, e.g. as Śākyamuni among men.

下る

see styles
 sagaru
    さがる
(irregular okurigana usage) (v5r,vi) (1) to come down; to go down; to fall; to drop; to sink; to get lower; (2) to hang; to dangle; (3) to move back; to step back; to withdraw; to retire; (4) to deteriorate; to fall off; to be downgraded; (5) to get closer to the present day; (6) to go south; (v5r,vi) (1) to descend; to go down; to come down; (2) to be handed down (of an order, judgment, etc.); (3) to pass (of time); (4) to surrender; to capitulate; (5) (often in neg. form) to be less than; to be inferior to; (6) to have the runs; to have diarrhea; (place-name) Sagaru

不兒


不儿

see styles
bú r
    bu2 r5
pu r
(coll.) no (contracted form of 不是[bu4 shi4])

不肖

see styles
bù xiào
    bu4 xiao4
pu hsiao
 fushou / fusho
    ふしょう
(literary) unlike one's parents; degenerate; unworthy
(adj-no,adj-na,n) (1) unworthy (of one's father, teacher, etc.); (pronoun) (2) (humble language) I; me; (adj-no,adj-na,n) (3) (form) (used self-referentially) incompetent; unskilled; inexperienced; foolish; (noun or adjectival noun) (4) (archaism) unfortunate; unlucky; (given name) Fushou
does not reject

不誤


不误

see styles
bù wù
    bu4 wu4
pu wu
used in expressions of the form 照[zhao4] + {verb} + 不誤|不误[bu4 wu4], in which 照[zhao4] means "as before", and the overall meaning is "carry on (doing something) regardless" or "continue (to do something) in spite of changed circumstances", e.g. 照買不誤|照买不误[zhao4 mai3 bu4 wu4], to keep on buying (a product) regardless (of price hikes)

不調


不调

see styles
bù tiáo
    bu4 tiao2
pu t`iao
    pu tiao
 fuchou / fucho
    ふちょう
(n,adj-no,adj-na) (1) bad condition; poor condition; disorder; slump; being out of form; (noun or adjectival noun) (2) failure; rupture; breakdown (e.g. of negotiations)
out of harmony

与国

see styles
 yokuni
    よくに
(form) allied nation; ally; (surname) Yokuni

且休

see styles
qiě xiū
    qie3 xiu1
ch`ieh hsiu
    chieh hsiu
rest for now; stop (usually imperative form)

丸型

see styles
 marugata
    まるがた
(1) round shape; circle; (2) circular form

丸形

see styles
 marugata
    まるがた
(1) round shape; circle; (2) circular form; (surname) Marugata

之間


之间

see styles
zhī jiān
    zhi1 jian1
chih chien
(after a noun) between; among; amid; (used after certain bisyllabic words to form expressions indicating a short period of time, e.g. 彈指之間|弹指之间[tan2 zhi3 zhi1 jian1])

乙欄

see styles
 otsuran
    おつらん
(See 乙・1) column B (e.g., in a form); second column

九地

see styles
jiǔ dì
    jiu3 di4
chiu ti
 kuji
    くじ
very low land; (surname) Kuji
The nine lands, i.e. the 欲界 realm of desire or sensuous realm the four 色界 realms of form or material forms; and the four 無色界 formless realms, or realms beyond form; v. 九有, 九有情居, 禪 and 定. The nine realms are:—(1) 欲界五趣地; the desire realm with its five gati, i.e. hells, hungry ghosts, animals, men, and devas. In the four form-realms are:— (2) 離生喜樂地 Paradise after earthly life, this is also the first dhyāna, or subject of meditation, 初禪. (3) 定生喜樂地 Paradise of cessation of rebirth, 二禪. (4) 離喜妙樂地 Land of wondrous joy after the previous joys, 三禪. (5) 捨念淸淨地 The Pure Land of abandonment of thought, or recollection (of past delights), 四禪. The four formless, or infinite realms, catur arūpa dhātu, are:—(6) 空無邊處地 ākāśānantyā-yatanam, the land of infinite space; also the first samādhi, 第一定. (7) 識無邊處地 vijñānānamtyāyatanam, the land of omniscience, or infinite perception, 二定. (8) 無所有處地 ākiñcanyāyatana, the land of nothingness, 三定. (9) 非想非非想處地 naivasaṁjñānā-saṁjñāyatana, the land (of knowledge) without thinking or not thinking, or where there is neither consciousness nor unconsciousness, i.e. above either; this is the 四定. Eitel says that in the last four, "Life lasts 20,000 great kalpas in the 1st, 40,000 in the 2nd, 60,000 in the 3rd, and 80,000 great kalpas in the 4th of these heavens."

九族

see styles
 kyuuzoku / kyuzoku
    きゅうぞく
(form) nine nearest generations of relatives; four generations back, oneself, and four generations to come

九業


九业

see styles
jiǔ yè
    jiu3 ye4
chiu yeh
 kugō
The nine kinds of karma, i.e. the desire realm and the form realm each has conduct that causes karma, does not cause karma, or is neutral, making 6; in the formless realm there are non-causative deeds, neutrality, and immortality, making 9; 成實論 8.

乾貨


干货

see styles
gān huò
    gan1 huo4
kan huo
dried food (including dried fruits, mushrooms and seafoods such as shrimp and abalone); (fig.) (coll.) knowledge presented in readily assimilable form; just what you want to know: no more, no less (no padding 水分[shui3 fen4])

争う

see styles
 arasou / araso
    あらそう
(v5u,vi) (1) to compete; to contest; to contend; (v5u,vi) (2) to quarrel; to argue; to dispute; to be at variance; to oppose; (v5u,vi) (3) (usu. in negative form) (See 争えない) to deny (e.g. evidence)

争闘

see styles
 soutou / soto
    そうとう
(n,vs,vi) (form) (See 闘争・1) strife; struggle; conflict; fight

事教

see styles
shì jiào
    shi4 jiao4
shih chiao
 jikyō
Teaching dealing with phenomena. The characterization by Tiantai of the Tripiṭaka or Hīnayāna teaching as 界内事教 within the three realms of desire, form, and formlessness; and the 別教 'different teaching' as 界外事教 outside or superior to those realms; the one dealt with the activities of time and sense, the other transcended these but was still involved in the transient; the 別教 was initial Mahāyāna incompletely developed.

二土

see styles
èr tǔ
    er4 tu3
erh t`u
    erh tu
 nido
There are three groups: 性土 and 相土 : the former is the ubiquitous, unadulterated or innocent 法性之理 dharma-name, or essence of things; the latter is the form-nature, or formal existence of the dharma, pure or impure according to the mind and action of the living. The 淨土 and 穢土 are Pure-land or Paradise; and impure land, e.g. the present world. In the Pure-land there are also 報土 , the land in which a Buddha himself dwells and 化土 in which all beings are transformed. There are other definitions, e. g. the former is Buddha's Paradise, the latter the world in which he dwells and which he is transforming, e. g. this Sahā-world.

二空

see styles
èr kōng
    er4 kong1
erh k`ung
    erh kung
 nikū
The two voids, unrealities, or immaterialities; v. 空. There are several antitheses: (1) (a) 人空; 我空 The non-reality of the atman, the soul, the person; (6) 法空 the non-reality of things. (2) (a) 性空 The Tiantai division that nothing has a nature of its own; (b) 相空 therefore its form is unreal, i.e. forms are temporary names. (3) (a) 但空 Tiantai says the 藏 and 通 know only the 空; (b) 不但空 the 別 and 圓 have 空, 假, and 中 q.v. (4) (a) 如實空 The division of the 起信論 that the 眞如 is devoid of all impurity; (b) 如實不空 and full of all merit, or achievement.

五位

see styles
wǔ wèi
    wu3 wei4
wu wei
 goi
    ごい
(1) fifth court rank; (2) (abbreviation) (See 五位鷺) black-crowned night heron (Nycticorax nycticorax); night heron; (3) {Buddh} five ranks; five stages; (place-name, surname) Goi
The five categories, or divisions; there are several groups, e. g. (1) Hīnayāna and Mahāyāna have groupings of all phenomena under five heads, i. e. Hīnayāna has 75 法 which are 11 色法, 1 心法, 46 心所法, 14 不相離法, and 3 無爲法; Mahāyāna has 100 法 which are 8 心, 51 心所, 11 色, 24 不相因, and 6 無爲法. (2) The five divisions of 唯識 are 資糧位, 加行位, 通達位, 修習位, and 究竟 or 佛位. (3) The five evolutions in the womb are: kalalaṃ, embryo-initiation; arbudaṃ, after 27 days; peśī, 37; ghana, 47; praśākha, 57 days when form and organs are all complete. (4) Certain combinations of the 八卦 Eight Diagrams are sometimes styled 五位君臣 five positions of prince and minister.

五唯

see styles
wǔ wéi
    wu3 wei2
wu wei
 goyui
(五唯量) pañcatanmātrāṇi, the five subtle or rudimentary elements out of which rise the five sensations of sound, touch, form, taste, and smell. They are the fourth of the 二十五諦.

五境

see styles
wǔ jìng
    wu3 jing4
wu ching
 gokyō
The objects of the five senses, corresponding to the senses of form, sound, smell, taste, and touch.

五智

see styles
wǔ zhì
    wu3 zhi4
wu chih
 gochi
    ごち
(place-name, surname) Gochi
The five kinds of wisdom of the 眞言宗 Shingon School. Of the six elements 六大 earth, water, fire, air (or wind), ether (or space) 曇空, and consciousness (or mind 識 ), the first five form the phenomenal world, or Garbhadhātu, the womb of all things 胎藏界, the sixth is the conscious, or perceptive, or wisdom world, the Vajradhātu 金剛界, sometimes called the Diamond realm. The two realms are not originally apart, but one, and there is no consciousness without the other five elements. The sixth element, vijñāna, is further subdivided into five called the 五智 Five Wisdoms: (1) 法界體性智 dharmadhātu-prakṛti-jñāna, derived from the amala-vijñāna, or pure 識; it is the wisdom of the embodied nature of the dharmadhātu, defined as the six elements, and is associated with Vairocana 大日, in the centre, who abides in this samādhi; it also corresponds to the ether 空 element. (2) 大圓鏡智 adarśana-jñāna, the great round mirror wisdom, derived from the ālaya-vijñāna, reflecting all things; corresponds to earth, and is associated with Akṣobhya and the east. (3) 平等性智 samatā-jñāna, derived from mano-vijñāna, wisdom in regard to all things equally and universally; corresponds to fire, and is associated with Ratnasaṃbhava and the south. (4) 妙觀察智 pratyavekṣaṇa-jñāna, derived from 意識, wisdom of profound insight, or discrimination, for exposition and doubt-destruction; corresponds to water, and is associated with Amitābha and the west. (5) 成所作智 kṛtyānuṣṭhāna-jñāna, derived from the five senses, the wisdom of perfecting the double work of self-welfare and the welfare of others; corresponds to air 風 and is associated with Amoghasiddhi and the north. These five Dhyāni-Buddhas are the 五智如來. The five kinds of wisdom are the four belonging to every Buddha, of the exoteric cult, to which the esoteric cult adds the first, pure, all-refecting, universal, all-discerning, and all-perfecting.

五法

see styles
wǔ fǎ
    wu3 fa3
wu fa
 gohō
pañcadharma. The five laws or categories, of which four groups are as follows: I. 相名五法 The five categories of form and name: (1) 相 appearances, or phenomena; (2) 名 their names; (3) 分別 sometimes called 妄想 ordinary mental discrimination of them— (1) and (2) are objective, (3) subjective; (4) 正智 corrective wisdom, which corrects the deficiencies and errors of the last: (5) 如如 the 眞如 Bhutatathata or absolute wisdom, reached through the 如理智 understanding of the law of the absolute, or ultimate truth. II. 事理五法 The five categories into which things and their principles are divided: (1) 心法 mind; (2) 心所法 mental conditions or activities; (3) 色法 the actual states or categories as conceived; (4) 不相應法 hypothetic categories, 唯識 has twenty-four, the Abhidharma fourteen; (5) 無爲法 the state of rest, or the inactive principle pervading all things; the first four are the 事 and the last the 理. III. 理智五法 cf. 五智; the five categories of essential wisdom: (1) 眞如 the absolute; (2) 大圓鏡智 wisdom as the great perfect mirror reflecting all things; (3) 平等性智 wisdom of the equal Buddha nature of all beings; (4) 妙觀察智 wisdom of mystic insight into all things and removal of ignorance and doubt; (5) 成所作智 wisdom perfect in action and bringing blessing to self and others. IV. 提婆五法 The five obnoxious rules of Devadatta: not to take milk in any form, nor meat, nor salt; to wear unshaped garments, and to live apart. Another set is: to wear cast-off rags, beg food, have only one set meal a day, dwell in the open, and abstain from all kinds of flesh, milk, etc.

五濁


五浊

see styles
wǔ zhuó
    wu3 zhuo2
wu cho
 gotaku
the five impurities (Buddhism)
五滓; 五渾 The five kaṣāya periods of turbidity, impurity, or chaos, i. e. of decay; they are accredited to the 住 kalpa, see 四劫, and commence when human life begins to decrease below 20,000 years. (1) 劫濁 the kalpa in decay, when it suffers deterioration and gives rise to the ensuing form; (2) 見濁 deterioration of view, egoism, etc., arising; (3) 煩惱濁 the passions and delusions of desire, anger, stupidity, pride, and doubt prevail; (4) 衆生濁 in consequence human miseries increase and happiness decreases; (5) 命濁 human life time gradually diminishes to ten years. The second and third are described as the 濁 itself and the fourth and fifth its results.

五蘊


五蕴

see styles
wǔ yùn
    wu3 yun4
wu yün
 goun / gon
    ごうん
the Five Aggregates (from Sanskrit "skandha") (Buddhism)
{Buddh} the five skandhas (matter, sensation, perception, mental formations and consciousness); the five aggregates
The five skandhas, pañca-skandha: also 五陰; 五衆; 五塞犍陀 The five cumulations, substances, or aggregates, i. e. the components of an intelligent being, specially a human being: (1) 色 rūpa, form, matter, the physical form related to the five organs of sense; (2) 受 vedana, reception, sensation, feeling, the functioning of the mind or senses in connection with affairs and things; (3) 想 saṃjñā, conception, or discerning; the functioning of mind in distinguishing; (4) 行 saṃskāra, the functioning of mind in its processes regarding like and dislike, good and evil, etc.; (5) 識 vijñāna, mental faculty in regard to perception and cognition, discriminative of affairs and things. The first is said to be physical, the other four mental qualities; (2), (3), and (4) are associated with mental functioning, and therefore with 心所; (5) is associated with the faculty or nature of the mind 心王 manas. Eitel gives— form, perception, consciousness, action, knowledge. See also Keith's Buddhist Philosophy, 85-91.

五識


五识

see styles
wǔ shì
    wu3 shi4
wu shih
 goshiki
The five parijñānas, perceptions or cognitions; ordinarily those arising from the five senses, i. e. of form-and-color, sound, smell, taste, and touch. The 起信論 Awakening of Faith has a different set of five steps in the history of cognition; (1) 業識 initial functioning of mind under the influence of the original 無明 unenlightenment or state of ignorance; (2) 轉識 the act of turning towards the apparent object for its observation; (3) 現識 observation of the object as it appears; (4) 知識 the deductions derived from its appearance; (5) 相續識 the consequent feelings of like or dislike, pleasure or pain, from which arise the delusions and incarnations.

亞伯


亚伯

see styles
yà bó
    ya4 bo2
ya po
Abe (short form for Abraham); Abel, a figure of Jewish, Christian and Muslim mythologies

亡き

see styles
 naki
    なき
(pre-noun adjective) (form) deceased; late; dead; departed

京哈

see styles
jīng hā
    jing1 ha1
ching ha
(bound form) Beijing-Harbin (used in route names)

人台

see styles
 jindai
    じんだい
dressmaker's dummy; dress form; mannequin

人形

see styles
rén xíng
    ren2 xing2
jen hsing
 hitogata
    ひとがた
human form; human-shaped; humanoid
(1) doll; puppet; marionette; (2) puppet (person under the control of another); straw man; yes-man; (surname) Hitogata

人獣

see styles
 jinjuu / jinju
    じんじゅう
(1) humans and animals; humans and beasts; (2) (See 人面獣心) beast in human form

人肉

see styles
rén ròu
    ren2 rou4
jen jou
 jinniku
    じんにく
to crowdsource information about sb or something (typically as a form of vigilantism resulting in doxing) (abbr. for 人肉搜索[ren2 rou4 sou1 suo3]); human (used attributively, as in 人肉盾牌[ren2 rou4 dun4 pai2], human shield)
human flesh

今時


今时

see styles
jīn shí
    jin1 shi2
chin shih
 imatoki
    いまとき
(n,adv) (form) (See 今時・いまどき・1) now; currently; presently; nowadays; present day; these days; (surname) Imatoki
now

今様

see styles
 imayou / imayo
    いまよう
(noun - becomes adjective with の) (1) modern style; contemporary style; current fashion; (2) (abbreviation) (See 今様歌) verse form from the Heian and Kamakura periods consisting of 4 lines each divided into two parts of 7 and 5 syllables

仙洞

see styles
 sentou; sendou(ik) / sento; sendo(ik)
    せんとう; せんどう(ik)
(1) (form) residence of a retired emperor; dwelling of a former emperor; (2) (form) retired emperor; former emperor; emperor emeritus

代填

see styles
dài tián
    dai4 tian2
tai t`ien
    tai tien
to fill in a form for sb else

Entries with 2nd row of characters: The 2nd row is Simplified Chinese.

<12345678910...>

This page contains 100 results for "form" in Chinese and/or Japanese.



Information about this dictionary:

Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.

A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.

Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House

This dictionary uses the EDICT and CC-CEDICT dictionary files.
EDICT data is the property of the Electronic Dictionary Research and Development Group, and is used in conformance with the Group's license.

Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).



Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.

Just because a word appears here does not mean it is appropriate for a tattoo, your business name, etc. Please consult a professional before doing anything stupid with this data.

We do offer Chinese and Japanese Tattoo Services. We'll also be happy to help you translate something for other purposes.

No warranty as to the correctness, potential vulgarity, or clarity is expressed or implied. We did not write any of these definitions (though we occasionally act as a contributor/editor to the CC-CEDICT project). You are using this dictionary for free, and you get what you pay for.

The following titles are just to help people who are searching for an Asian dictionary to find this page.

Japanese Kanji Dictionary

Free Asian Dictionary

Chinese Kanji Dictionary

Chinese Words Dictionary

Chinese Language Dictionary

Japanese Chinese Dictionary